Critics’ reviews

The Armstrong Lie (2013)

21 reviews from 21 publications. Critics’ score 73: 15 positive, 5 mixed, 1 negative.

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73
Positive
15
Mixed
5
Negative
1

Most critics find The Armstrong Lie compelling and informative, with praise centred on Gibney’s access to Armstrong, the cycling footage and the examination of deception within professional sport. The interviews and race material make the story engrossing even for reviewers who find few fresh revelations. Several reviews value the attention to intimidation and institutional corruption, placing Armstrong’s conduct in a wider cycling culture rather than treating him as an isolated cheat.

Reservations concern repetition, occasionally confusing chronology and how far the film explains Armstrong’s motives. Critics also differ over Gibney’s personal involvement: The AV Club praises his acknowledgement of helping promote the comeback myth, while Slant Magazine finds his self-scrutiny incomplete and his narration heavy-handed. The spread is broadly favourable but includes a sharp dissent from The Wrap, which finds the documentary too detached to probe Armstrong’s deception or confront his lack of remorse.

Variety
2 September 2013 · festival review · Justin Chang
85*

Chang finds the documentary authoritative, fascinating, and penetrating in its examination of Armstrong and the culture around him. He particularly praises Gibney’s scientific research and the film’s vivid, well-edited cycling footage.

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IndieWire
8 November 2013 · B+ · Eric Kohn
83

Kohn finds the documentary compelling and nuanced, though not fully revelatory. He praises Gibney’s careful analysis of Armstrong’s rise and fall and the psychology behind his fabrications.

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Little White Lies
30 January 2014 · 4/4/3 · Emma Simmonds
80

Simmonds finds the film compelling and worthwhile, though it does not fully illuminate Armstrong. She praises the force of the Oprah interview footage and the film’s scrutiny of his deception.

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Los Angeles Times
7 November 2013 · Kenneth Turan
80*

Turan finds the documentary engrossing and more revealing than expected, bringing it close to explaining Armstrong’s complicated story. He praises its integration of earlier footage and interviews that place Armstrong’s doping and deception in cycling’s broader culture.

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Radio Times
★★★★ · Jeremy Aspinall
80

Aspinall calls the documentary a breathtaking portrait of Lance Armstrong. He particularly praises Gibney’s unprecedented access to the famously abrasive cyclist.

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Time Out
28 January 2014 · ★★★★ · Cath Clarke
80

The review presents the documentary as revealing why Armstrong’s enemies despise him. It singles out its account of the hostility surrounding his doping and deception.

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Total Film
27 January 2014 · ★★★★ · Kevin Harley
80

The review finds the documentary compelling, though Armstrong’s repeated evasions make parts of it repetitive. It praises the intimate race footage and the magnetic spectacle of Armstrong’s self-assured denials and confession.

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The AV Club
7 November 2013 · B · Ben Kenigsberg
77

Kenigsberg finds the film informative but short of fresh revelations and deeper detail on the doping scheme. He especially praises Gibney’s willingness to acknowledge his own role in promoting Armstrong’s comeback myth.

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Vulture
8 November 2013 · David Edelstein
75*

Edelstein finds the documentary engrossing and fascinating, despite its pervasive creepiness and occasionally confusing chronology. He praises its close study of Armstrong’s deception and its illuminating account of doping in professional cycling.

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Evening Standard
31 January 2014
70*

The review finds the documentary compelling while warning against confusing power with virtue. It praises Gibney’s examination of Armstrong’s intimidation tactics and the corrupt system that enabled him.

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The Guardian
11 September 2013 · festival review · Chris Michael
70*

The critic finds the documentary compelling and probing, though its account of Armstrong’s 2009 comeback remains somewhat murky. He praises its behind-the-scenes footage and its examination of the power and intimidation surrounding Armstrong’s story.

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RogerEbert.com
64*

The page could not be accessed, so the critic’s verdict is unavailable. No praise or complaint can be verified.

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Screen Daily
4 September 2013 · Lee Marshall
64*

The review’s verdict is unavailable because the article text is behind a paywall. The accessible page does not reveal what the critic singled out for praise or complaint.

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The New York Times
7 November 2013 · Manohla Dargis
64*

The page content is unavailable, so the critic’s verdict cannot be determined. No specific praise or complaint can be verified from the accessible text.

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Slant Magazine
4 November 2013 · ★★½/4 · Kenji Fujishima
62

Fujishima finds the documentary informative but divided between its original celebratory premise and its later indictment of Armstrong. He praises its exhaustive detail while faulting Gibney’s heavy-handed narration and incomplete self-implication.

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Empire
22 January 2014 · David Hughes
55*

Hughes finds the documentary tough and forensic, but says it soft-pedals Armstrong’s betrayal of fans. He praises its complex account of moral relativism and institutional corruption.

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Eye for Film
21 October 2013 · Owen Van Spall
85*

The critic calls it a confidently assembled, gripping piece of reportage and praises Gibney’s documentary work. He singles out its brisk pacing, captivating interviews, and superb cycling footage.

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Digital Spy
29 January 2014 · ★★★★ · Emma Dibdin
80

Dibdin finds the documentary a lean, searing portrait of human frailty, despite a slightly baggy middle. She praises Gibney’s personal involvement, which makes Armstrong’s deception and its impact on betrayed fans especially vivid.

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Den of Geek
2 June 2014 · 4 out of 5 · Rob Leane
78*

The critic calls the documentary vital viewing despite its forgettable score and repetitive stretches. They praise its close analysis of Armstrong’s psyche and Gibney’s candid personal perspective.

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Paste
5 November 2013 · 7.8/10 · Tim Grierson
78

Grierson finds the documentary grimly fascinating rather than gratifyingly vindictive, and sees Armstrong as compelling but unrepentant. He praises its focus on the people whose lives Armstrong damaged by defending the truth.

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The Wrap
26 October 2013
30*

The critic finds the documentary too detached to offer meaningful insight into Armstrong’s deception. They single out its failure to probe his motives and its reluctance to judge his lack of remorse.

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Ordered by the weight we give each publication, then by score. Scores are normalised to 100; * means inferred from an unrated review. Summaries are ours, not quotations; follow the links for the reviews themselves. How we rate