Critics’ reviews

The Big Heat (1953)

8 reviews from 8 publications. Critics’ score 80: 6 positive, 2 mixed, 0 negative.

Back to our review of The Big Heat

80
Positive
6
Mixed
2
Negative
0

Most critics respond warmly to The Big Heat, with praise concentrated on Lang’s taut direction, sustained suspense and strong performances. Glenn Ford and Gloria Grahame receive repeated attention, while the film’s violence remains central to accounts of its impact. The reviews also value its unsentimental approach: precise, shadow-rich images and a believable screenplay help make the thriller forceful without softening its characters.

Reservations concern conventional plotting, emotional distance and how well the shocks endure. Some critics still find the violence disturbing; others consider it comparatively tame by modern standards. The Los Angeles Times admires Lee Marvin’s threatening performance but finds dated contrivances and a weak ending. The available verdicts range from qualified approval to strong enthusiasm, with no outright negative assessment recorded. Two entries lack accessible critical judgements, however, so their lower scores offer no clear explanation of the dissent.

The Guardian
24 November 2017 · ★★★★★ · Peter Bradshaw
100

Bradshaw calls the film a taut, violent classic that retains its shocking power. He singles out Gloria Grahame’s performance and the film’s most shocking moment.

Read the full review →
Slant Magazine
3 July 2025 · ★★★★½ · Chuck Bowen
90

Bowen praises the film as a hard-boiled American classic whose unsentimental approach gives its ending a moment of genuine human communion. He singles out Lang’s precise, shadow-rich visual style and praises the Criterion 4K restoration and supplements.

Read the full review →
Sight and Sound
24 November 2017 · Lindsay Anderson
85*

Anderson finds the film an extremely good, satisfying thriller, despite a few conventional elements and Lang’s detached viewpoint. He praises its taut direction and singles out the performances of Glenn Ford and Gloria Grahame.

Read the full review →
Variety
1 January 1953 · Variety Staff
85*

The review is strongly positive, praising the film’s believable screenplay and forceful direction. It singles out Lang’s taut suspense and the strong performances, especially Glenn Ford and Gloria Grahame.

Read the full review →
Radio Times
★★★★ · Tony Sloman
80

Sloman finds that this classic noir still packs a punch, despite seeming tame by today’s standards. He praises Glenn Ford’s performance and singles out the restored film’s once-censored coffee scene.

Read the full review →
Los Angeles Times
7 February 1991 · MARK CHALON SMITH
70*

The critic considers the film a classic of noir despite dated plot contrivances and a weak ending. He especially praises Lee Marvin’s steely, creepy performance as the murderous thug.

Read the full review →
The New York Times
15 October 1953 · Bosley Crowther
65*

The accessible page does not expose the critic’s verdict. It also provides no praise or complaint to identify.

Read the full review →
Time Out
· WH
64*

The page labels this as a review, but the critic’s verdict is unavailable because no article text was supplied. No specific praise or complaint can be identified from the available material.

Read the full review →

Ordered by the weight we give each publication, then by score. Scores are normalised to 100; * means inferred from an unrated review. Summaries are ours, not quotations; follow the links for the reviews themselves. How we rate