The Conjuring: Last Rites (2025)

The review calls it the freakiest entry in the franchise and a satisfying send-off with chillingly imaginative touches. It highlights the familiar template executed with shivery intimacy and strong reaction shots from the leads.

The critic praises the film's blend of genuine scares and sentimental elements as the Warrens' story concludes, highlighting effective frights and pacing despite a lengthy runtime focused more on character than plot.

The review finds the film edges into camp with coyly trope-laden Warren family drama that verges on comedy while returning to effective haunted-house scares. It praises clever set pieces like the crawling doll and single-frame VHS apparition over the big finish.

The critic finds the film a polished but familiar entry that doesn't break new ground in the demonic-possession genre, yet remains an enjoyable old-school chiller thanks to strong chemistry between the leads and confident direction. The moving epilogue and respectful nod to franchise heritage are highlighted as positives.

The review finds the film sluggish and resistant to change, likening it to outdated dad-rock horror amid a vibrant new wave of the genre. It notes the Warrens' middle-aged portrayal and the long setup before scares, praising the lead actors' solidity while criticizing the lack of innovation.

The critic views it as a hokey finale that accentuates the franchise's sappy and derivative tendencies by centering the story on the Warrens themselves. It singles out the strong performances by Wilson and Farmiga for praise while criticizing the muddled scares and on-rails storytelling.

The review deems the film a Biblically boring victory lap and slog that solidifies the franchise as the Fast & Furious of horror with sappy schmaltz and revisited greatest hits. It criticizes the cheap happily-ever-after ending.

The critic describes it as a sluggishly routine send-off that puts a tombstone on a slackening series, with the Warren lore thoroughly picked over. It singles out the lead performances by Wilson and Farmiga as the enduring heart of the films amid the formulaic jump scares.

The critic calls it a disappointing send-off for the highest-grossing horror franchise, noting a significant decrease in quality and scares compared to the original. It singles out the shift to a cozy family affair centered on the Warrens as a notable change.

The review calls it a significant step-up from the previous entry in a mixed-bag film that theoretically closes the book on the Conjuring universe. It questions whether audiences will miss the series.

The review finds the franchise suffering from fatigue with stale scares and little freshness from returning director Michael Chaves. It notes that while Farmiga and Wilson remain engaging, the film feels old hat after 12 years.

The review describes a shiver-inducing and satisfying farewell that is scary and at times genuinely hair-raising. It praises the Eighties setting and the return of the Warrens facing their fiercest foe while noting some loss of subtlety by the end.

The critic calls it a frothy and appropriately terrifying return to the first film's pleasures, more successful on scares than the prior two entries. They single out the effective tying of the haunting mechanics to the Warrens' family unit and emotional stakes, including the psychological toll on their daughter.

The critic finds it a less scary and disappointing finale but praises the amazing performances of Vera Farmiga and Patrick Wilson. It shortchanges the scares and pacing, and the antagonist is underdeveloped.

The critic finds it a mediocre farewell that begins with handsome, jumpy set pieces but slows into faux-emotional babble and a weak, laughable finale.

It's a mild farewell with a few good shocks; the series remains wholesome but the finale feels flat with little at stake, though effective as a scare machine in places.

The critic calls it a bad movie that retroactively diminishes earlier entries by prioritizing conservative Catholic ideology and nuclear family values over scares or engaging characters.