Critics’ reviews

The Contender (2000)

9 reviews from 9 publications. Critics’ score 64: 2 positive, 6 mixed, 1 negative.

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64
Positive
2
Mixed
6
Negative
1

The reviews lean towards qualified approval, with praise clustering around the performances rather than the political plotting. Joan Allen is the clearest point of agreement: critics repeatedly single out her authority, while Jeff Bridges and Gary Oldman also receive praise. Even several less enthusiastic assessments find the Washington manoeuvring entertaining, crediting the ensemble with making the characters feel human amid the speeches and power-brokering.

Reservations centre on schematic storytelling and a final stretch that several critics find damaging to the drama; Total Film also objects to the overbearing score. The spread is wide: the Evening Standard warmly embraces the suspenseful political melodrama, while The Guardian finds it dramatically unconvincing and politically misleading despite a plausible start. The disagreement extends to its political intelligence: Eye for Film praises precisely its avoidance of stereotypes and simplistic politics. Performances command broader agreement than the film’s ideas.

Evening Standard
10 April 2012
90*

The critic finds the film hugely entertaining and praises its suspenseful political melodrama. They single out how character-driven performances make the political machinations feel human.

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Variety
11 September 2000 · Emanuel Levy
65*

Levy finds the film a clear improvement over Rod Lurie’s debut, though its verbose, schematic storytelling limits its political ambitions. He singles out Joan Allen’s commanding performance and the talented ensemble as the film’s chief strengths.

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The New York Times
13 October 2000
64*

The review’s verdict and specific praise or complaints cannot be determined from the available page. The article text was inaccessible, so its assessment is unknown.

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Time Out
· GA
64*

The available page metadata identifies this as a review, but provides no verdict. No specific element is available to identify as praised or criticized.

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Empire
1 January 2000 · Bob McCabe
60*

The review finds the film entertaining and well-crafted overall, but says it falters badly in its final moments. It praises the performances, especially those of Jeff Bridges, Joan Allen and Gary Oldman.

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Radio Times
★★★ · David Parkinson
60

Parkinson finds the film an assured, streetwise look at Washington power-brokering and increasingly base journalism. He praises Joan Allen’s Oscar-nominated performance and notes that Lurie wisely restrains Gary Oldman’s scene-stealing.

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Total Film
20 April 2001 · ★★★ · Total Film
60

The review calls the film flawed but enjoyable, despite a final stretch that undermines its drama. It praises the performances of Joan Allen, Jeff Bridges, and Gary Oldman, while faulting the plot and overbearing score.

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The Guardian
22 April 2001 · Philip French
35*

The review finds the film entertaining and plausible at first, but ultimately dramatically unconvincing and politically misleading. It praises Gary Oldman's performance as a seemingly honest, sincere reactionary.

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Eye for Film
19 April 2001 · Angus Wolfe Murray
80*

The critic finds the film an intelligent, surprising political drama that avoids easy stereotypes and simplistic politics. Joan Allen’s performance is singled out for its natural authority, with Gary Oldman also praised for his transformation.

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Ordered by the weight we give each publication, then by score. Scores are normalised to 100; * means inferred from an unrated review. Summaries are ours, not quotations; follow the links for the reviews themselves. How we rate