Critics’ reviews

The Day the Earth Stood Still (1951)

9 reviews from 9 publications. Critics’ score 77: 7 positive, 2 mixed, 0 negative.

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77
Positive
7
Mixed
2
Negative
0

Most critics respond warmly to The Day the Earth Stood Still, praising its serious approach to science fiction and the force of its warning. The screenplay’s intelligence and pacifist message draw repeated approval, alongside an atmosphere that makes the visitor’s arrival feel both credible and unsettling. Praise for the craft centres on Robert Wise’s realistic staging and Bernard Herrmann’s otherworldly score. Michael Rennie’s measured performance is another point of agreement, even where the story takes precedence over the cast.

The spread is broad in enthusiasm rather than divided by outright opposition. Eye for Film finds the effects dated but argues that the fable retains its power. Den of Geek gives a more moderate rating while still praising the effects and the warning’s relevance. The reservations available are limited: the less enthusiastic reviews do not amount to a sustained case against the film.

Radio Times
★★★★★ · David Parkinson
100

Parkinson presents the film as a hopeful science-fiction classic and a bold effort to give the genre greater credibility. He singles out Bernard Herrmann’s otherworldly score as part of its distinctive appeal.

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Empire
1 January 2000 · Angie Errigo
95*

Errigo regards the film as an intelligent, enduring landmark that gives science fiction unusual dignity. She particularly praises its thoughtful screenplay, atmospheric presentation, and memorable worldwide power-cut sequence.

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The New Yorker
75*

The review presents the film as a tense, influential science-fiction drama with a compellingly serious message. It especially praises Robert Wise’s realistic staging and the transfixing image of light beneath Gort’s visor.

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Time Out
· NF
75*

The review presents the film as a classic science-fiction fable with a compelling pacifist message. It singles out the ambition of the storyline as a strength.

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Slant Magazine
2 December 2008 · ★★★½ · Bill Weber
70

Weber regards the film as an enduring, entertaining classic, and finds the new DVD package satisfyingly comprehensive. He especially praises its crisp black-and-white presentation and the surround mix showcasing Bernard Herrmann’s score.

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Variety
31 December 1950 · Variety Staff
70*

The review is mildly positive, saying the cast works well despite being secondary to the story. It singles out Michael Rennie as fine in the role of the visitor from space.

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The New York Times
19 September 1951
64*

The archive entry is a review of the film. Its critical verdict and specific praise or criticism are unavailable because the page would not load.

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Eye for Film
13 December 2008 · Jennie Kermode
82*

Kermode finds the film’s fable as powerful as ever, despite dated effects. She praises Michael Rennie’s measured performance and the haunting scenes when the Earth stands still.

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Den of Geek
23 April 2009 · ★★★ · Louis Turfrey
60

The critic finds the film’s warning still relevant and considers it among the best science fiction of its era. He praises its groundbreaking effects and the Blu-ray’s strong transfer and extras.

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Ordered by the weight we give each publication, then by score. Scores are normalised to 100; * means inferred from an unrated review. Summaries are ours, not quotations; follow the links for the reviews themselves. How we rate