Critics’ reviews

The Dink (2026)

11 reviews from 11 publications. Critics’ score 59: 4 positive, 5 mixed, 2 negative.

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59
Positive
4
Mixed
5
Negative
2

The consensus on The Dink is mixed, with praise clustering around the cast rather than the sports-comedy plotting. Jake Johnson’s easy charm and his chemistry with Mary Steenburgen give the more favourable reviews their main reason to recommend it. The scenes between the leads, particularly their friendship, draw more enthusiasm than the pickleball competition. Even several less persuaded critics find warmth and charm in the ensemble, while supporters enjoy the modest stakes and familiar underdog story.

The divide is over whether that familiarity remains entertaining. Recycled gags, predictable plotting and a shortage of energy recur among the reservations, with some critics also noting pacing problems. Reactions to the comedy vary sharply: The AV Club finds substantial laughs in its undemanding approach, while The Wrap finds the jokes fail to pay off and singles out Steenburgen for praise. Most reviews sit between those positions, describing something pleasant but limited.

The AV Club
21 July 2026 · B · Matt Schimkowitz
77

The critic calls it a light pickleball comedy that serves big laughs with an effortless Jake Johnson anchoring an endearing underdog tale. The film efficiently delivers low-lift laughs and warm chemistry while keeping stakes small and family-friendly.

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IndieWire
21 July 2026 · David Ehrlich
75*

The critic describes the film as a sweet Apple TV comedy in which Jake Johnson discovers the joys of pickleball alongside Mary Steenburgen and Ed Harris. It follows a classic underdog 'save the farm' structure with warmth and appeal.

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RogerEbert.com
21 July 2026 · Brian Tallerico
75*

The critic finds the film a likable underdog sports comedy buoyed by strong performances from Jake Johnson and Mary Steenburgen, despite familiar tropes and some pacing issues. The ensemble chemistry and fun tone make it work as an easy, entertaining watch.

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Empire
23 July 2026 · Beth Webb
65*

A light, throwback sports comedy that works best in the hangout scenes between its leads but is held back by recycled gags and a thin central plot.

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Radio Times
21 July 2026 · ★★★ · James Mottram
60

The critic describes it as a cheery, undemanding and breezy comedy that is as predictable as it is pleasant, likening the gentle humor to a pickleball rally and noting its Stiller-produced echoes of Dodgeball. They single out the non-romantic friendship storyline between the leads and the standout comic turn from Aaron Chen as particularly enjoyable.

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The Hollywood Reporter
21 July 2026 · David Rooney
55*

The critic finds the film a watchable but entirely vanilla and formulaic underdog sports comedy that spins a predictable tale of triumph. Johnson's appealing screen persona and the presence of a strong ensemble provide some charm, but the material lacks edge or memorability.

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Variety
23 July 2026 · Guy Lodge
55*

The critic describes a mild, amiable sports comedy that coasts on Jake Johnson's charm and the chemistry with Mary Steenburgen but lacks big laughs or energy, feeling formulaic and sitcom-like overall. The central dynamic between the leads stands out as the most interesting element.

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Evening Standard
24 July 2026 · Martin Robinson
49*

A disappointingly gentle and soft-edged pickleball comedy that lacks the anarchic energy of classic sports films and fails to make the most of its promising premise and cast.

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The Times
22 July 2026
40*

The film is a painfully formulaic farce about a washed-up tennis pro entering the world of pickleball. One well-judged intimate moment between the leads stands out amid the mostly dull and tedious sports-genre business.

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Collider
21 July 2026 · 7/10 · Nate Richard
70

The film is a formulaic sports comedy that offers enough laughs and charm to entertain despite its predictability. The standout element is the ultra-charming cast led by Jake Johnson and Mary Steenburgen, whose chemistry and heart elevate the story.

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The Wrap
21 July 2026
20*

The critic finds the film boring and extremely unfunny, with joke ideas that never pay off. They single out Mary Steenburgen's performance for praise amid the lack of energy and commitment to its sports-comedy premise.

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Ordered by the weight we give each publication, then by score. Scores are normalised to 100; * means inferred from an unrated review. Summaries are ours, not quotations; follow the links for the reviews themselves. How we rate