Critics’ reviews

The Harder They Come (1972)

9 reviews from 9 publications. Critics’ score 73: 6 positive, 2 mixed, 1 negative.

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73
Positive
6
Mixed
2
Negative
1

Most critics respond warmly to The Harder They Come, with the reggae soundtrack drawing the most consistent praise across otherwise differing assessments. The reviews also value its closely observed depiction of Kingston and its anger at social conditions and the music business. Jimmy Cliff’s performance attracts praise even from a sceptical critic. Supporters find energy and political force in a film whose rough edges do not necessarily diminish its impact.

The spread is wide, though the reservations centre chiefly on the storytelling. Radio Times finds the early struggle to enter the music business convincing but argues that the film later slips into banal blaxploitation. The New Yorker is more dismissive of the hurried mixture of musical biography and social protest, while still admiring Cliff and the music. Some enthusiastic retrospective assessments also concern restored editions and supplementary material, rather than the film alone.

Slant Magazine
26 August 2019 · ★★★★★ · Keith Watson
100

Watson praises the Blu-ray package as a definitive presentation of the film and Henzell’s career. He singles out the reggae soundtrack for its stirring impact and the disc’s vivid image and sound.

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Los Angeles Times
15 August 2019 · Kenneth Turan
85*

Turan warmly celebrates the film’s cultural impact and recommends its new collector’s edition. He singles out its role in introducing reggae to a wider audience and praises the restored bonus feature.

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The AV Club
29 March 2002 · Scott Tobias
85*

Tobias finds the film a powerful, politically radical work whose social critique remains forceful. He singles out its reggae soundtrack and documentary-style depiction of Kingston’s slums for praise.

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The Guardian
3 August 2022 · Peter Bradshaw
80*

Bradshaw finds the film raw, energetic and sharply self-aware, with Ivan’s downfall giving it a forceful tragic edge. He particularly praises the throbbing reggae soundtrack and Jimmy Cliff’s performance.

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Empire
1 January 2000 · William Thomas
75*

The critic calls it a Jamaican classic that feels worn around the edges but still has angry momentum. The rollicking reggae soundtrack is singled out as the film’s greatest strength.

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Variety
6 September 1972 · festival review · Variety Staff
75*

Variety gives the film a favorable verdict, praising its taut pacing and visual flair. It also singles out the music’s lively rhythm and the film’s effective use of local color.

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Time Out
· TR
65*

The page identifies this as a review, but its verdict cannot be recovered from the available material. Its description frames the story around Jimmy Cliff’s country-to-Kingston journey and the reggae industry.

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Radio Times
★★★ · David Parkinson
60

Parkinson finds the film compelling at first but says it later descends into banal blaxploitation. He praises its keenly observed depiction of Kingston and the convincing portrayal of the struggle to enter the music business.

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The New Yorker
16 February 1973 · Pauline Kael
35*

Kael finds the film’s narrative a messy, hurried blend of musical biography and social-protest fantasy. She praises Jimmy Cliff’s radiance and the music’s infectious cultural vitality, which linger despite the film’s flaws.

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Ordered by the weight we give each publication, then by score. Scores are normalised to 100; * means inferred from an unrated review. Summaries are ours, not quotations; follow the links for the reviews themselves. How we rate