The Horse Whisperer (1998)

Klein finds the film haunting and beautiful, with a patient, emotionally unforced approach. He especially praises its striking landscapes and the frightening intensity of the opening accident.

Errigo finds it a beautifully crafted, moving old-fashioned romance, though its story is too slight for its length and its appeal is limited for younger viewers. She particularly praises the striking visuals and the poignancy of the country dance between Tom and Annie.

McCarthy finds the film an intelligent, emotionally powerful and mature adaptation, though its length and restrained romance weaken its final stretch. He praises the performances, striking Montana visuals and careful direction for bringing the material vividly to life.

The review text was unavailable, so its verdict cannot be determined. No praise or complaint could be verified from the accessible page.

The page content is inaccessible, so the critic’s verdict cannot be established. The URL headline suggests a focus on healing a girl, her horse, and her mother, but specific praise or criticism cannot be verified.

The available text is too limited to establish the critic’s overall verdict. It describes Redford’s character as an idealised figure, but the review’s specific praise or complaint is not available.

Turner’s review is appreciative of the casting, saying Redford suits the role and Kristin Scott Thomas is a natural choice. He singles out the opening accident as horrifying to watch.

The review finds the film thoughtful and well-made, but overly long and slow. It praises the performances and Montana scenery, while noting that the pacing undermines the film’s strengths.

The critic gives the film a strongly positive verdict, calling its story rare and its execution accomplished. They single out Kristin Scott Thomas’s performance for its emotional subtlety and contemporary edge.