The reviews lean mixed, with praise concentrated on the caper mechanics, comic ensemble work and Mini chases. Several critics find the remake brisk and enjoyable, crediting its tighter construction and energetic direction even when they doubt its personality. The final heist supplies the chief pleasures for some, while Charlize Theron’s screen presence earns approval even among detractors. The recurring reservation is that competent entertainment does not give this version enough distinctive character.
The spread is wide, though enthusiasm is scarce. Variety is the clear enthusiast, finding a witty, confident remake that improves on the original, despite a flat conclusion. Eye for Film takes the opposite view, judging it formulaic, implausible and markedly inferior. The New Yorker occupies a more revealing middle ground in its comments: the chases entertain, but Mark Wahlberg’s subdued performance weakens the rivalry. Critics also divide over the finale, which some find lively and others lifeless.