Critics’ reviews

The League of Extraordinary Gentlemen (2003)

10 reviews from 10 publications. Critics’ score 36: 0 positive, 2 mixed, 8 negative.

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36
Positive
0
Mixed
2
Negative
8

Most critics respond negatively to The League of Extraordinary Gentlemen, with praise clustering around the production design rather than the storytelling. The mix of literary characters offers some initial amusement, and several reviews find visual appeal even when the adventure disappoints. Total Film also singles out Jason Flemyng and Peta Wilson among the supporting cast, though it finds the film incoherent and too centred on Sean Connery.

The reservations are largely shared: overstuffed plotting, shallow characterisation and action that is difficult to follow. The disagreement concerns how much enjoyment survives those faults. Radio Times finds an enjoyable, if overambitious, adaptation and takes pleasure in the characters using their abilities; harsher reviews find little reason to care about them. Connery’s presence divides opinion too, earning praise for charm but criticism for dominating the ensemble. Two reviews offer too little accessible text to establish an overall verdict, so they provide no clear evidence of a favourable counterweight.

Screen Daily
10 July 2003 · Mike Goodridge
64*

The review text is behind a paywall, so its verdict cannot be determined. The available page does not reveal what the critic praises or criticizes.

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Time Out
· DA
64*

The accessible text does not reveal the critic’s overall verdict. It singles out the premise as intriguing, but provides no further praise or complaint.

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Radio Times
★★ · Sloan Freer
40

Freer presents it as an enjoyable but overambitious adaptation. She singles out the colourful team of literary characters and the fun of watching them use their abilities.

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Total Film
17 October 2003 · ★★ · Total Film
40

The review finds the film incoherent and overly centered on Sean Connery, ultimately advising caution. It praises the production design and some of the supporting performances, especially Jason Flemyng and Peta Wilson.

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The Guardian
17 October 2003 · Peter Bradshaw
35*

Bradshaw finds the film initially amusing but ultimately overdone and short on thrills. He singles out its wacky mix of literary characters as a novelty that soon wears off.

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Variety
9 July 2003 · Todd McCarthy
35*

McCarthy finds the film visually appealing but ultimately overblown and dramatically ponderous. He praises its exceptionally beautiful design while faulting the thin character development and weak villain.

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Slant Magazine
9 July 2003 · ★/4 · Jeremiah Kipp
25

Kipp pans the film as incoherent, characterless, and devoid of investment. He criticizes Sean Connery’s dominance and the action sequences’ lack of clarity and geography.

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The New York Times
11 July 2003 · A. O. Scott
25*

The review is negative, finding the adventure clumsy and incoherent. It faults the film’s noisy, overstuffed plotting.

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Empire
1 January 2000 · Danny Graydon
20*

Graydon finds the film a clumsy, creatively timid action movie that mishandles its source material. He praises the production design and Sean Connery’s charm, but criticizes the shallow character introductions, poor effects, and badly edited action.

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Evening Standard
10 April 2012 · Christopher Tookey
10*

Tookey dismisses the film as a disastrous waste of its blockbuster budget. He especially condemns the screenplay for its foolish anachronisms and shallow characterisation.

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Ordered by the weight we give each publication, then by score. Scores are normalised to 100; * means inferred from an unrated review. Summaries are ours, not quotations; follow the links for the reviews themselves. How we rate