Critics’ reviews

The Man from Nowhere (2010)

7 reviews from 7 publications. Critics’ score 66: 2 positive, 5 mixed, 0 negative.

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66
Positive
2
Mixed
5
Negative
0

Most critics land on mild approval: two positive, five mixed, none negative, and the spread is narrow. The praise clusters on the action. The fight sequences, and one knife fight in particular, are described as kinetic, well shot and tightly paced, with Lee Jeong-beom credited for keeping them tense. Won Bin’s central performance is the other point of agreement; several reviews call it commanding, and more than one singles out his bond with the child, So-mi, as the part of the film that holds.

The reservations cluster on the story. Nearly every review calls the plot familiar or predictable, and the melodrama is noted more than once. Variety finds the violence excessive enough to limit the film’s appeal, and Den of Geek goes furthest, calling it lacklustre and short on excitement despite the well-delivered action. Two of the seven reviews could not be fully read, so the consensus rests on the five whose verdicts are clear.

Slant Magazine
5 October 2010 · festival review · Sean Axmaker
70*

The critic finds the film slick and well constructed, though not a transcendent action film. He praises its visceral scenes and dark atmosphere, while noting that its plot is predictable.

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Time Out
15 March 2012
65*

The page is identified as a review, but the article text is unavailable, so its verdict cannot be established. The available description highlights Won Bin’s striking presence, without revealing what the critic praises overall.

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Variety
26 October 2010 · festival review · Russell Edwards
65*

Edwards finds the Korean thriller dynamic and commercially polished, though its familiar genre elements and excessive violence limit its appeal. He praises Won Bin’s commanding action-hero performance and Lee Jeong-beom’s tense, well-paced fight sequences.

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Screen Daily
24 August 2010 · Darcy Paquet
64*

The page identifies this as a review, but its text is unavailable behind the access prompt. No critical verdict or praised or criticized element can be established from the visible material.

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Eye for Film
7 November 2010 · festival review · Owen Van Spall
75*

The critic finds it gripping, kinetic entertainment despite familiar clichés and flaws. He singles out the slick, visceral fight choreography and the bond between Tae-sik and So-mi.

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Den of Geek
26 April 2011 · ★★★ · Joseph Ewens
60

Ewens finds the film watchable but ultimately lacklustre, with its story and setting failing to live up to their potential. He praises the well-shot, effectively delivered action, while noting it lacks excitement and the child’s early performance is impressive.

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HeyUGuys
13 April 2011 · ★★★ · Craig Skinner
60

The critic finds the film entertaining and gripping despite its familiar plotting and melodrama. They praise the central performances and single out the visceral knife fight, while criticizing the UK DVD’s lack of extras.

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Ordered by the weight we give each publication, then by score. Scores are normalised to 100; * means inferred from an unrated review. Summaries are ours, not quotations; follow the links for the reviews themselves. How we rate