The reviews are divided on The Naked Gun 2½: The Smell of Fear, with praise centring on its relentless silliness, Leslie Nielsen’s performance and individual spoofs rather than any advance on the formula. The New Yorker finds Nielsen’s earnest obliviousness enough to make recycled material work. The parody of the pottery scene from Ghost earns approval even from Variety, which otherwise finds the sequel less funny than its predecessor. Admirers enjoy the tasteless jokes and comic chaos on their own terms.
The disagreement is substantial: what delights some critics strikes others as repetition without enough invention. Reservations cluster around diminished surprise, juvenile humour and the effort required to secure a laugh. Even reviews that find it funny acknowledge signs of wear. The Los Angeles Times takes the sharpest opposing view, finding little laughter in the sex jokes, non sequiturs and pratfalls, and missing the original’s exuberance.
