The Only Living Pickpocket in New York (2026)

The critic praises the film as a confident, humane update to the New York crime drama. She particularly singles out its authentic New York locations and John Turturro’s controlled performance.

Rooney finds the film contemplative, transfixing and remarkably layered, praising Noah Segan’s assured storytelling. He especially singles out John Turturro’s restrained, deeply affecting performance as the film’s dignified, aging pickpocket.

Laffly finds the film an elegantly tender, bittersweet love letter to New York. She especially praises John Turturro’s mesmerizingly tender performance and the memorable supporting cast.

Castillo praises the film as a strong, heartfelt throwback drama. She singles out John Turturro’s nuanced performance as its central strength.

The critic calls it a terrific drama with a throwback flavour. John Turturro is singled out for stealing the show.

Ebiri finds the film a modest, lovely drama with a gentle, wistful atmosphere. He singles out Turturro’s attentive, world-weary performance as the film’s anchor.

The headline presents the film as a stylish crime drama, with John Turturro impressing. The accessible text singles out Turturro’s performance, but the full review is unavailable.

Lee finds the film engaging and charming despite an overplayed theme and contrived turns. He especially praises Turturro’s appealing performance and the film’s breezy, on-location portrait of New York.

The page could not be accessed, so the critic’s verdict is unavailable. No praise or criticism can be verified from the page content.

Smith finds the film a low-key, melancholy character study that is strongest when it observes Harry’s world with specificity. He praises the lived-in performances and New York locations, while faulting the tech-obsessed antagonists and a conventional family-reconciliation scene.

Wise finds the film mesmerizing, melancholy, and a notably assured directorial debut. He especially praises John Turturro’s performance and the film’s affection for New York’s independent-movie past.

The critic finds the film a gem, despite some rough edges and small narrative contrivances. They especially praise John Turturro’s performance and the quietly moving character study built around Harry’s life.

Shaffer finds the film a poignant, revelatory portrait of a changing New York, despite weaknesses in its crime-thriller plot. He especially praises John Turturro’s subtle performance and how it connects Harry’s personal story to the city’s history.