The Others (2001)

The film is a classy, elegant and conventional formal exercise in the old dark house spook movie with impeccable control and sustained atmosphere. It works on its own terms but is disappointing for not pushing the genre further, feeling like a simulacrum rather than a great original.

The critic describes it as a tastefully literate, old-fashioned gothic chiller that relies on mood and atmosphere. Kidman's powerful performance as the highly strung mother is highlighted alongside the sophisticated approach to suspense.

The film delivers some of the creepiest, most atmospheric chills in years through unseen forces and subtle scares rather than graphic horror. Kidman's performance as the repressed mother is superbly cast and central to the haunting effect.

The critic calls the film elegantly and deliberately made, reeking of mood and creepiness, with a genteel menace that anchors in Kidman's intense, vulnerable performance dominating an atmospheric traditional ghost story.

The critic finds the film a quiet, brooding haunted house mystery that builds dread slowly through atmosphere rather than shocks, praising the director's patience and Kidman's convincing performance as a normal woman in a disturbing situation.

The review hails the film as a sumptuously crafted, suspenseful supernatural thriller with moody visuals and strong performances, especially Kidman's. It notes the art-house qualities and effective building of tension without effects or violence.

The critic praises Amenábar's controlled, atmospheric haunted-house chiller for its restraint, narrative sleights and technical craft. Kidman's feverish lead performance and the ensemble are singled out as highlights alongside the sound design and cinematography.

Amenábar plants post-war solitude and dying religiosity before a backdrop of ghoulish shadows and claustrophobic mists in a dollhouse thriller that dares to challenge The Sixth Sense. The film evokes a hierarchically-informed spirit world and is also pretty scary.

The film is a simple, spare, and exhilaratingly old-fashioned haunted-house movie that builds tension through mundane disturbances. It harks back to classically constructed horror films that leave their scariest effects to the viewer's imagination.

The critic describes the film as a genuine, integrity-filled psychological thriller that terrifies through what has happened rather than what happens, praising its conjuring of primal anxieties like fear of the dark and the dead over typical teenage horror fare.

The review calls the film a confident, subtle and controlled English-language debut that relies on suggestion and atmosphere rather than gore. It singles out the ingenious plotting, Kidman's pitch-perfect performance and its status as one of the best studio releases of the year.

An old-fashioned scary movie with ingenious touches that refreshes the ghost story genre through suspense, scares and surprises despite a sedate pace. Kidman's brittle performance and the children's unsettling presence heighten the clammy chills.

The critic praises the film as a delicious old-fashioned goose-pimpler and luxuriously tailored star vehicle for Kidman, highlighting masterful control, memorable creepy set pieces, and a terrific cast led by her fascinating performance.

The critic praises the film's creation of an atmosphere of unease through suggestion rather than overt scares. They single out the flawless performances, particularly from the young actors and Nicole Kidman as the complex lead.