Critics’ reviews

The Pass (2016)

11 reviews from 11 publications. Critics’ score 75: 8 positive, 3 mixed, 0 negative.

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75
Positive
8
Mixed
3
Negative
0

Most critics come away admiring The Pass, and almost every review lands in the same place: Russell Tovey. His performance as Jason, a closeted footballer who moves from innocence to fear and loneliness, is called nuanced, layered, vulnerable and exposed, and several reviewers credit him with making a difficult, sometimes cruel man touching. Arinzé Kene is praised alongside him for matching his presence, and a few critics single out the writing as sharp, witty and gripping.

The reservations cluster around the film’s origins as a play. Again and again the word is stagey: static staging, a chamber-piece feel, dialogue that occasionally sounds forced. Eye for Film adds that the small scale and moments of melodrama hold it back, and The Wrap calls it modest. The spread is narrow, with no outright negatives; Den of Geek is the warmest, calling it urgent and raw.

Little White Lies
8 December 2016 · 3/4/4 · Tom Williams
80

The critic calls the film refreshing, nuanced and urgently worthwhile, despite some forced dialogue. They praise Russell Tovey’s nuanced portrayal of a closeted footballer under pressure.

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Empire
5 December 2016 · Ian Freer
75*

Freer finds the drama compelling despite its static, stagey feel. He singles out Russell Tovey’s layered performance and the sharp writing for giving the intimate story depth.

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Evening Standard
9 December 2016 · Charlotte O'Sullivan
75*

O'Sullivan finds the film a wrenching, sharply observed look at betrayals and the cost of protecting a public image. She singles out Russell Tovey's performance as sublime and praises Arinzé Kene for matching his magnetic presence.

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The Guardian
8 December 2016 · Peter Bradshaw
75*

Bradshaw finds the drama ambitious and insightful, though its stage origins sometimes show. He particularly praises Russell Tovey’s performance as his character moves from innocence to fear and loneliness.

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Variety
16 March 2016 · festival review · Catherine Bray
75*

Bray finds the film absorbing and theatrically constrained, but says its tense chamber-piece approach works. She especially praises Russell Tovey’s knockout performance as a closeted soccer player.

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Screen Daily
16 March 2016 · Fionnuala Halligan
64*

The page identifies this as Fionnuala Halligan’s review of Ben A. Williams’s 2016 film. The paywall hides the verdict and any specific praise or complaint.

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Den of Geek
9 December 2016 · Simon Brew
90*

The critic calls the film urgent, raw, unmissable, and a real achievement. He singles out Russell Tovey’s performance and the compelling chemistry between the two leads.

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The Skinny
17 March 2016 · ★★★★ · Philip Concannon
80

Concannon finds the film sharp and emotionally rich, though it never quite overcomes its staginess. He singles out Russell Tovey’s vulnerable, knockout performance and the play’s witty, gripping writing.

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NME
75*

The critic calls the film poignant and provocative despite flaws, finding its portrayal of repression uncomfortably realistic. They praise Russell Tovey and Arinzé Kene’s lead performances, especially their nuanced portrayals of Jason and Ade.

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Eye for Film
13 October 2016 · Owen Van Spall
68*

The critic finds the film largely effective, though its small scale and occasional melodrama hold it back. They single out the powerful performances by Russell Tovey and Arinzé Kene for praise.

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The Wrap
21 October 2016 · festival review
65*

The critic finds the film modest but focused and skillful, while noting that it remains stagey. Tovey’s emotionally exposed performance is singled out for making Jason’s plight touching despite his cruelty.

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Ordered by the weight we give each publication, then by score. Scores are normalised to 100; * means inferred from an unrated review. Summaries are ours, not quotations; follow the links for the reviews themselves. How we rate