Most critics like it, and almost all of them say the same two things: Tim Curry’s Frank N. Furter is the reason to watch, and Richard O’Brien’s songs have outlived the film that holds them. The praise for Curry is close to unanimous, with one review arguing the performance cannot be replicated. The consensus also treats the film as inseparable from its midnight screenings, with the costumes and heckling counted as part of the pleasure rather than a distraction from it.
The reservations cluster around what is left when the audience goes home. Time Out finds the film itself an enthusiastic shambles that falls apart in the last reel, and Roger Ebert calls it cheerful, silly and forgettable once the sideshow is removed. The spread is otherwise narrow, with the positive notices landing close together. The one negative review, from The New York Times, is really about the Fox remake, and praises the original by comparison.
