Most critics land in the middle, and many say the same thing: this is the liveliest entry in the saga, which is not quite a recommendation. The praise clusters on two performers. Michael Sheen’s Aro is singled out again and again as the film’s high-camp pleasure, and several reviews find Kristen Stewart more relaxed and energetic as a vampire than she was as a human. The extended showdown is the sequence most often named as the point where the film wakes up.
The reservations concern everything around those moments. The digitally rendered infant Renesmee is faulted almost as widely as Sheen is praised, and a late twist is the high point for the Evening Standard and a misfire for Digital Spy and Total Film. Most agree it is a film for the faithful. The spread is wide: The Hollywood Reporter finds it dull, and Vulture, writing years later, calls it inert, while Den of Geek and Variety come close to enjoying it.
The critic finds the finale ludicrously entertaining, with some reservations. They praise Michael Sheen’s camp performance and the film’s momentum, while noting its “No boys allowed” caveat.
Read the full review →V
Variety
13 November 2012 · Justin Chang
75*
Chang finds the finale unexpectedly lively and exciting, praising its audacious extended showdown and Kristen Stewart’s energized performance. He criticizes the digitally rendered infant Renesmee as a visual-effects misfire.
Read the full review →E
Empire
26 April 2012 · Helen O'Hara
70*
O'Hara finds the finale a satisfying conclusion for fans, though newcomers may be confused and the first half drags. She praises the leads’ ease in their roles and singles out Michael Sheen’s flamboyant performance.
Read the full review →E
Evening Standard
13 December 2012
70*
The critic calls it a fitfully brilliant finale, despite a weak second act. They single out the climactic twist and action as the film’s high point.
Read the full review →L
Los Angeles Times
15 November 2012 · Betsy Sharkey
65*
Sharkey calls it the best entry in the series, while cautioning that fan appeal should not be mistaken for praise. She singles out Kristen Stewart’s lively performance as Bella, while faulting the dialogue and effects.
Read the full review →The page content is unavailable, so the critic’s verdict cannot be determined. No specific praise or complaint can be verified.
Read the full review →S
Screen Daily
13 November 2012 · Brent Simon
64*
The page identifies this as a review, but the review text is hidden behind a paywall. Its verdict and any specific praise or complaint are not visible.
Read the full review →N
The New York Times
16 November 2012
64*
The page could not be accessed, so the critic’s verdict cannot be determined. No praise or complaint can be reliably identified from the available text.
Read the full review →S
Slant Magazine
15 November 2012 · ★★½/4 · R. Kurt Osenlund
62
Osenlund finds this the first compulsively watchable Twilight installment, though it still leans on contrived drama and thin characterizations. He praises Kristen Stewart’s lively performance as Bella and the finale’s surprisingly affecting romance.
Read the full review →R
Radio Times
★★★ · Karen Krizanovich
60
Krizanovich says the finale should please the many devoted fans and may win over some newcomers. She singles out Bill Condon’s visual achievement as its standout strength.
Read the full review →T
Time Out
15 November 2012 · ★★★ · Guy Lodge
60
The three-star rating suggests a mixed verdict. The description singles out the saga’s vanilla vampire-chronicle quality as a complaint.
Read the full review →A
The AV Club
15 November 2012 · C · Genevieve Koski
57
Koski finds the film a messy, fan-focused conclusion that will satisfy devotees but leave others unmoved. She praises the campy humor in Jacob’s scenes, while criticizing the rushed handling of conflicts and the finale’s retreat from consequence.
Read the full review →T
Total Film
15 November 2012 · ★★ · Emma Dibdin
40
Dibdin finds the finale emotionally stunted and likely to please only devoted fans. She praises Michael Sheen’s scenery-chewing performance and the climactic battle, though a final twist undermines the latter.
Read the full review →G
The Guardian
14 November 2012 · Peter Bradshaw
35*
Bradshaw finds the finale ultimately bland, despite a few moments of wit and the satisfaction of seeing the story conclude. He particularly criticizes the uncanny-looking CGI baby and the saga’s extensive posing and lack of real stakes.
Read the full review →H
The Hollywood Reporter
13 November 2012 · Todd McCarthy
30*
McCarthy finds the final installment stylistically mundane and often dull, with few memorable scenes. He singles out Michael Sheen’s entertaining performance as Aro for praise.
Read the full review →V
Vulture
25 July 2018 · Bilge Ebiri
20*
Ebiri finds the finale inert and increasingly silly, with the series’ melodrama flattened into lifeless camp. He singles out Michael Sheen’s brief, genuinely forceful performance as the rare moment that brings the film to life.
Read the full review →D
Den of Geek
16 November 2012 · 3 out of 5 · Mark Harrison
78*
Harrison finds the finale a satisfying, entertaining improvement and the strongest entry in the saga. He especially praises Kristen Stewart’s performance and the surprisingly violent third act, while criticizing Renesmee’s unsettling visual effects.
Read the full review →/
/Film
16 November 2012 · 5.5 out of 10 · Russ Fischer
68*
Fischer finds the film silly and mostly empty, but more enjoyable than its predecessors. He praises the climactic battle sequence and the cast’s playful camp, especially Michael Sheen’s performance.
Read the full review →W
The Wrap
14 November 2012 · Alonso Duralde
65*
The critic finds the finale entertaining and more successful than its source material, while still faulting the franchise’s underlying material. He praises Bill Condon’s wit and style, along with the film’s wintry atmosphere.
Read the full review →N
NME
16 November 2012 · Owen Nicholls
55*
Nicholls finds the film entertaining but largely aimed at fans, with little to win over hold-outs. He singles out Michael Sheen’s performance and the finale’s absurdity as its highlights.
Read the full review →D
Digital Spy
16 November 2012 · 2 · Simon Reynolds
51*
The review finds the finale a weak sign-off, marginally better than its predecessor but unlikely to win new fans. It praises Michael Sheen’s deliciously high-camp performance while criticizing the climactic twist as a dramatic misfire.
Read the full review →P
The Playlist
13 November 2012 · festival review
30*
The headline suggests the critic considers it a high point for the franchise but still a low point for cinema. The page text is blocked, so no specific praise or complaint beyond that headline can be confirmed.
Read the full review →Ordered by the weight we give each publication, then by score. Scores are normalised to 100; * means inferred from an unrated review. Summaries are ours, not quotations; follow the links for the reviews themselves. How we rate