The Umbrellas of Cherbourg (1964)

The review calls the film an enchanting, haunting love story that reaches dizzy romantic heights. It praises the vivid candy-coloured design and Catherine Deneuve’s ethereal performance.

Newman regards the film as pure cinematic magic, blending wistful romance with resigned cynicism. He praises the ravishing visual world and Michel Legrand’s memorable orchestration.

Sussex finds the musical spellbinding, praising its blend of sweetness and emotional sting. She especially singles out Michel Legrand’s haunting score and its interplay with the film’s vivid colour design.

Weber praises the UHD release as one of Criterion’s finest 4K presentations. He singles out its gorgeous transfer, especially the radiant pastel colors and natural detail.

Rafferty warmly praises the film as a beautiful, emotionally honest romance that has been unfairly dismissed as sentimental. He singles out its vivid colors, graceful camera movements, and Catherine Deneuve’s sensitive performance.

Turan finds the restored film as charming and delightful as ever, with a bittersweet emotional core. He praises its delicately restored visuals and the daring choice to sing every line of dialogue.

The review finds the film touching and lovely, praising Demy for balancing emotion and compassion without becoming mawkish. It singles out Michel Legrand’s tuneful score, along with the bright sets and excellent color work.

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Bradshaw is somewhat ambivalent about the film, warming to its charm while finding the score thin and repetitive. He singles out Deneuve’s subtly erotic sadness as the quality that keeps the film from becoming merely sugary.