Critics’ reviews

The Unloved (2009)

8 reviews from 8 publications. Critics’ score 69: 5 positive, 2 mixed, 1 negative.

Back to our review of The Unloved

69
Positive
5
Mixed
2
Negative
1

Most critics are won over by Samantha Morton’s directorial debut, and the praise clusters on the performances. Molly Windsor’s lead and Lauren Socha are named again and again, with the confrontation between the girl and her mother and the final shot of Lucy trying to smile picked out as the moments that land hardest. Several reviewers also admire the long, unflinching takes and a direction that keeps close to the child’s point of view.

The reservations are about pace and temperature. A minority find the deliberately even tone monotonous, with The Hollywood Reporter judging the film less involving than Morton’s own acting, and Den of Geek finding it too dreary and muted to move as it means to. Others concede the symbolism is heavy in places and the story drifts, but still recommend it. The spread is wide, from warm admiration to one outright dismissal, though positive verdicts clearly outnumber the rest.

The Guardian
18 February 2010 · Xan Brooks
85*

Brooks finds the film a fierce, heartfelt and convincing account of childhood in care. He singles out Lauren Socha’s mesmerising performance and the quietly gut-wrenching confrontation between the girl and her mother.

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Empire
27 January 2010 · Phil de Semlyen
82*

The review finds the film bleak but ultimately moving, insightful and uplifting. It singles out the final shot of Lucy trying to smile as especially heartbreaking.

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Time Out
16 February 2010 · ★★★★ · Trevor Johnston
80

The four-star rating indicates a positive verdict on Morton’s directorial debut. The review singles out its cinematic feel and long, unflinching takes.

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Variety
21 September 2009 · festival review · Dennis Harvey
80*

Harvey finds the film a delicate, wistful portrait that nearly merits the company of great cinematic childhood stories. He especially praises Samantha Morton’s child-centered direction and Molly Windsor’s intimate performance.

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Screen Daily
18 September 2009 · David D'Arcy
64*

The page identifies this as a review, but its critical verdict is unavailable in the accessible text. No specific element of praise or complaint can be confirmed.

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The Hollywood Reporter
23 September 2009 · festival review · The Associated Press
30*

The critic finds the film’s deliberately relentless approach monotonous and less captivating than Morton’s acting. They praise its occasional inventive use of sound, while wishing it offered more variation and dimension.

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Eye for Film
17 February 2010 · Jeff Robson
75*

Robson finds the film a striking, powerful piece of committed British cinema, despite some overdone symbolism and a meandering narrative. He particularly praises the performances, especially those of Molly Windsor and Lauren Socha.

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Den of Geek
22 February 2010 · 3 out of 5 · Michael Leader
56*

The review finds the film stylistically assured and atmospheric but too dreary and emotionally distant to be truly moving. It praises Lauren Socha’s performance as the most involving element, while criticizing the muted storytelling for weakening the emotional connection.

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Ordered by the weight we give each publication, then by score. Scores are normalised to 100; * means inferred from an unrated review. Summaries are ours, not quotations; follow the links for the reviews themselves. How we rate