Most critics come down in favour of Thirteen Days, and the praise gathers around the cast. Bruce Greenwood’s Kennedy is the performance singled out most often, with several reviewers calling it compelling or better, and Kevin Costner draws warm notices from some. The film itself is generally described as a gripping, intelligent reconstruction of the missile crisis, restrained in tone and careful in its handling of the arguments around the table, and admirers credit it with avoiding triumphalism.
The reservations cluster on scope. More than one review notes that the film stays inside Washington and leaves out the wider diplomacy, Britain’s part in events and any women of consequence. Variety finds the presentation conventional enough to resemble expensive television. The spread is wide: two critics reject the film outright, with The AV Club judging Costner’s character superfluous and Eye for Film calling the whole thing dull and the Kennedy portrayals unconvincing.
