Together (2021)

Carson finds the film a remarkable, emotionally forceful account of lockdown that makes a powerful case for love. She especially praises Horgan’s shattering monologue about her character’s mother dying alone.

The headline presents the film as both savagely funny and emotionally devastating. It singles out the sharp comedy and emotional impact of a couple’s lockdown arguments and soul-searching.

The page could not be accessed, so the critic’s verdict is unavailable. No praise or complaint from the review could be verified.

The article text is unavailable, so its verdict cannot be established. No specific praise or complaint can be reliably identified.

Rosseinsky finds the lockdown drama compelling at times but better suited to the stage than the screen. She praises Horgan’s monologues, especially their poignant treatment of grief and disconnection.

Ehrlich finds the film too stagey and its relationship-repairing arc unconvincing, though its anger gives the pandemic drama force. He singles out the couple’s speech about deaths caused by the UK’s bungled COVID response as its most powerful moment.

Ellen finds the drama a mixed success, wishing the talent involved had delivered sharper dialogue. She praises the believable, volatile chemistry between Horgan and McAvoy, which gives the couple’s relationship a convincing pulse.

The review finds the film artificial, opportunistic, and frustratingly narrow. It praises the lively performances of James McAvoy and Sharon Horgan but criticizes the repetitive script and sidelining of the couple’s son.

Han finds the film more effective as a pandemic story than as a love story. She praises McAvoy and Horgan’s nuanced performances, but says their characters’ constant bickering makes the film exhausting.

Oller finds the film a poignant, sharply written relationship drama that maintains a beaten but convincing optimism. He especially praises McAvoy and Horgan’s performances and chemistry, while noting that the limited framing can feel visually dull.

The page is blocked, so the critic’s verdict cannot be determined. No praise or complaint can be verified from the available text.

The critic finds the film tiring and ineffective as a believable relationship story, despite its well-meaning intentions. McAvoy and Horgan’s performances are singled out as commanding and skillful, even when the screenplay’s theatrical devices falter.