The reviews split roughly down the middle, and the disagreement is about whether a thin story matters when the film around it is this busy. Most critics agree on what works: the animation, which several describe as textured with everyday childhood materials and which shifts style from sequence to sequence; the voice cast; and the soundtrack, with the new NSYNC songs mentioned approvingly even by those who dislike the rest. The reservations cluster around the plot, which the less impressed call perfunctory and padded with musical breaks, and around a hectic pace and relentless cheeriness that leave some reviewers unable to care about the characters. The spread is wide for a family sequel: RogerEbert.com calls it the best of the three Trolls films, while Radio Times calls it the least engaging, and Collider suggests the franchise has run its course. The middle ground treats it as harmless entertainment for young children and slim pickings for anyone older.
The critic calls it the best of the three Trolls films, praising its irresistible charm, sweet tone without excess sugar, terrific voice talent, music, and varied animation styles that enhance the story and sense of adventure.
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