Critics’ reviews

Wedding Crashers (2005)

11 reviews from 11 publications. Critics’ score 60: 4 positive, 4 mixed, 3 negative.

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60
Positive
4
Mixed
4
Negative
3

The reviews lean towards qualified enjoyment, with praise clustering around Vince Vaughn and Owen Wilson rather than the writing. Their chemistry and contrasting comic styles make the bawdy humour work for several critics, including some who find the film disappointing. Rachel McAdams also earns praise for giving the romance a convincing character, while the warmer notices find enough charm to carry the comedy beyond its male-bonding antics.

The spread is wide, however, and the script and pacing draw repeated complaints. Reservations range from implausibility and patchy jokes to a prolonged, sentimental finale. Even favourable reviews acknowledge the formula. The AV Club finds that the early energy gives way to broad, clumsy, slow comedy despite the cast’s charisma. At the enthusiastic end, Eye for Film finds it exceptionally funny, singling out Isla Fisher and the eccentric Cleary family. The disagreement is largely over how much the performers can compensate for the material.

Total Film
14 July 2005 · ★★★★ · Total Film
80

The review finds the film funny and feisty, with enough warmth to appeal beyond its frat-pack audience. It particularly praises Vince Vaughn’s comic performance and the chemistry between him and Owen Wilson.

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Slant Magazine
15 July 2005 · ★★★/4 · Nick Schager
75

Schager finds the comedy consistently amusing despite its formulaic plot and overlong, syrupy finale. He praises the contrasting comic styles of Vince Vaughn and Owen Wilson, which make the film’s bawdy male-bonding antics work.

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The New York Times
15 July 2005 · A.O. Scott
75*

The review is positive about the comedy and its lead performers. It singles out the chemistry between Vince Vaughn and Owen Wilson as a strength.

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Variety
7 July 2005 · Brian Lowry
65*

Lowry finds the comedy agreeable but uneven, with a slow start and a middle section it cannot sustain. He particularly praises Rachel McAdams, whose performance gives the romance a convincing character and fills narrative gaps.

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Screen Daily
11 July 2005 · Brent Simon
64*

The page identifies this as a review of the film, but the review text is unavailable. Its verdict and any specific praise or complaint cannot be determined from the page.

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Empire
1 January 2000 · William Thomas
60*

Thomas finds the film entertaining but says it falls short of its promise. He praises the easy comic chemistry between Owen Wilson and Vince Vaughn, while faulting the patchy, lazy script.

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The Guardian
23 December 2005 · Rob Mackie
55*

Mackie finds the comedy enjoyable but ultimately not very memorable, with a plot that asks viewers to suspend too much disbelief. He singles out Rachel McAdams as the film’s standout, praising her as its one supporting character who avoids being a stereotype.

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Radio Times
★★ · Sloan Freer
40

Freer finds the comedy enjoyable in places, with the leads’ chemistry carrying it. He praises Wilson and Vaughn’s contrasting comic styles and how well they play off each other.

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The AV Club
12 July 2005 · Keith Phipps
30*

Phipps finds the film mostly disappointing, saying its energy fades after the opening stretch. He praises the cast’s charisma but criticizes the later comedy as broad, clumsy, and slow.

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Time Out
12 July 2005 · PW
30*

The available excerpt suggests the critic is unimpressed, arguing that an Owen Wilson buddy film feels wrong without Ben Stiller. It acknowledges that director David Dobkin preserves the slacker tone, but the full verdict and specific praise or complaints are unavailable.

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Eye for Film
18 July 2005 · John Gallagher
95*

The critic calls it an exceptionally funny comedy and strongly recommends seeing it. Isla Fisher’s performance and the eccentric Cleary family are singled out for laughs.

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Ordered by the weight we give each publication, then by score. Scores are normalised to 100; * means inferred from an unrated review. Summaries are ours, not quotations; follow the links for the reviews themselves. How we rate