The consensus on What Lies Beneath is mixed, with praise concentrated on Michelle Pfeiffer’s performance and the staging of individual suspense sequences. Several critics find it effectively unsettling even when they dislike the plotting, and Pfeiffer earns credit for sustaining the tension through implausible material. The more favourable reviews treat its familiar devices as enjoyable craftsmanship, particularly when dialogue gives way to physical suspense.
The divide is wide over whether those strengths compensate for a stretched, convoluted script, thin characterisation and repeated jolts. Its debt to Hitchcock is especially contentious: /Film’s retrospective praises Robert Zemeckis’ use of those techniques to build tension and upset expectations, while The Guardian finds the borrowings ineffective. Total Film also responds warmly despite acknowledging the derivative approach and excessive length. A separate reservation comes from the Evening Standard, which objects to the portrayal of women as misogynistic.
