Critics’ reviews

Wicked (2024)

26 reviews from 26 publications. Critics’ score 75: 15 positive, 4 mixed, 1 negative.

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75
Positive
15
Mixed
4
Negative
1
Variety
19 November 2024 · Peter Debruge
90*

Peter Debruge declares it the year's must-see musical, praising Cynthia Erivo and Ariana Grande's iconic, emotionally nuanced turns as rival divas and the film's timely critique of division and authoritarianism, while celebrating Chu's gloriously overstuffed maximalist style.

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Total Film
19 November 2024 · Fay Watson
85*

Ariana Grande and Cynthia Erivo deliver performances that will have audiences defying gravity in this adaptation; the review highlights their chemistry and the film's appeal.

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Little White Lies
21 November 2024 · 3/4/4 · Fatima Sheriff
80

Praises the chemistry between Grande and Erivo, the spectacle, choreography, and emotional depth in musical numbers, but criticizes the washed-out CGI aesthetic. Verdict is largely positive with much to love.

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The Guardian
24 November 2024 · Wendy Ide
80*

The stars enchant as young rival witches in Jon M Chu’s impossibly slick first instalment of his two-part adaptation. Driven by knockout performances from Cynthia Erivo and Ariana Grande, the film matches its polished razzle-dazzle with real heart and delivers depth alongside the escapism.

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The Hollywood Reporter
19 November 2024 · David Rooney
80*

The critic praises the strong performances by Cynthia Erivo and Ariana Grande and the vibrant world-building, calling it a sparkling screen transition that delivers for fans. They single out the casting and live vocals for praise.

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The i Paper
19 November 2024 · Francesca Steele
80*

The film is a candy-coloured fantastical treat carried by the phenomenal talents of Ariana Grande and Cynthia Erivo, with strong comic timing, vocal performances, and a focus on the leads' friendship and character development; it runs a bit long but ends powerfully.

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Time Out
19 November 2024 · Phil de Semlyen
80*

The review highlights the vibrant energy, sincerity, and powerhouse performances by Erivo and Grande, especially in songs like Defying Gravity. Positive on the adaptation delighting fans.

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Evening Standard
20 November 2024 · ★★★/4 · Nick Curtis
75

Jon M. Chu’s lavish adaptation is visually ravishing and showcases the vocal and acting talents of Cynthia Erivo and Ariana Grande, but it suffers from bloat, excessive length, and pacing issues that make even superfans wish for a quicker pace.

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The AV Club
19 November 2024 · B- · Jesse Hassenger
70

The critic notes strong leads and agile musical numbers but complains about the drab, muted color palette and overly faithful, sprawling adaptation. Singles out the visual style for complaint.

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The New York Times
21 November 2024 · Manohla Dargis
65*

The critic finds Cynthia Erivo the strongest draw in this splashy, overly long first installment of the Broadway adaptation, praising her showstopping performance and the deepening chemistry with Ariana Grande while noting the director's restless maximalism leaves little room to savor details.

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The New Yorker
20 November 2024 · Justin Chang
60*

Justin Chang describes the film as a nostalgic, half-satisfying spectacle that doubles down on blockbuster excess, praising Erivo's magnetic performance as Elphaba while noting the narrative clutter and obvious political parable undercut some of its impact.

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Vulture
19 November 2024
60*

The film is enchanting yet exhausting, faithful but wearying in its spectacle; praises the dance scene and leads' performances but notes it drags and lacks depth.

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Los Angeles Times
19 November 2024 · Katie Walsh
55*

The review calls the massive adaptation a faithful but uneven effort that delights fans with its reverence for the stage show and strong lead performances, yet criticizes the pacing, underbaked motivations, and lack of visual imagination that prevent it from fully soaring.

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Empire
19 November 2024 · Helen O'Hara

Chu turns the stage show into a movie epic with spectacle, VFX, and strong casting; Cynthia Erivo and Ariana Grande deliver layered, complex performances with astonishing vocals, making the long runtime pass quickly despite some relentless moments.

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Sight and Sound
22 November 2024

The critic praises the film's spectacle, strong vocal performances by Erivo and Grande, and cinematic adaptations of the musical numbers, but notes some dated elements and an anaemic color palette. Overall positive verdict on the adaptation being superior to the stage version.

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The Times
19 November 2024 · ★★★★☆

Cynthia Erivo turns a Broadway hit into cinematic gold and transforms Elphaba into a character of uncommon depth. The film is a worthy successor to The Wizard of Oz with standout performances and strong staging of key musical numbers.

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The Playlist
19 November 2024 · A · Manuel Betancourt
95

The critic calls it a triumph and all-around delight, praising the dazzling performances by Cynthia Erivo and Ariana Grande, the dynamic musical numbers, and how it captures the magic of the stage musical on screen with fresh takes.

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Collider
19 November 2024 · 9/10 · Jeff Ewing
90

The critic praises Jon M. Chu's majestic musical adaptation for its stunning scale, vibrant worldbuilding, and powerful central performances, especially Cynthia Erivo as Elphaba and Ariana Grande as Galinda. Minor issues noted with sound mixing and some shot choices in dance numbers.

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Film Stories
20 November 2024 · Maria Lattila
85*

The critic praises the film as a mesmerising adaptation justified by its length, highlighting the incredible central performances by Cynthia Erivo and Ariana Grande, and the inventive musical numbers. They single out Erivo's soulful portrayal and vocal performance in "Defying Gravity" for special praise.

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Polygon
19 November 2024 · Petrana Radulovic
85*

Wicked is celebrated as a movie musical made unapologetically for fans of the genre, with excellent singing and chemistry from the cast (especially Ariana Grande), detailed and functional worldbuilding, and meaningful use of film's close-ups and expansions on the stage material. It honors the source while feeling like a love letter to musical theater.

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Den of Geek
19 November 2024 · ★★★★ · David Crow
80

The adaptation expands the story with novel elements and cinematic ambition but remains emotionally and audibly breathtaking thanks to powerhouse performances by Cynthia Erivo and Ariana Grande. It is only half the musical, leading to some padding, yet the spectacular climax soars.

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NME
19 November 2024 · ★★★★ · Nick Levine
80

Chu’s adaptation is a dizzying delight that should please fans and newcomers alike, with Erivo and Grande delivering vocally extraordinary performances and crackling chemistry. The film flags a little in the middle of its lengthy runtime but ends on an enchanting note full of empathy for outsiders.

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/Film
19 November 2024 · 4/10 · Witney Seibold
40

The critic finds it a long, ineffectual, busy, mushy mess lacking personality in the leads and genuine whimsy, criticizing the overlong runtime and overdesigned visuals while noting the plot feels played out.

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Deadline
19 November 2024 · Pete Hammond

The Broadway musical adaptation soars cinematically and exceeds expectations as one of the best movie musicals. Director Jon M. Chu enhances the stage magic into pure movie magic, with standout performances from Cynthia Erivo and Ariana Grande.

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Paste
19 November 2024 · 8.5 · Jason Gorber

Chu's film succeeds extraordinarily well with its timely universal story, expanded narrative elements, captivating ensemble performances, and grand theatrical scope translated to screen. It is one of the great musical movies of any age, defying high expectations.

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The Wrap
19 November 2024

The first half of the adaptation defies the odds with strong storytelling, characters, music and dancing. It is a bright and colorful whirlwind that mostly succeeds despite some inconsistent visual effects and supporting cast limitations.

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Ordered by the weight we give each publication, then by score. Scores are normalised to 100; * means inferred from an unrated review. Summaries are ours, not quotations; follow the links for the reviews themselves. How we rate