Critics’ reviews

Yi Yi (2000)

9 reviews from 9 publications. Critics’ score 85: 7 positive, 2 mixed, 0 negative.

Back to our review of Yi Yi

85
Positive
7
Mixed
2
Negative
0

Most critics respond warmly to Yi Yi, with praise clustering around Yang’s compassion and his attention to the family’s private emotional lives. The reviews repeatedly find tenderness, insight and a sense of connection between lonely people in its account of ordinary lives disrupted. Several emphasise the characters’ decency and individuality; Eye for Film also singles out the young actors’ performances. The prevailing view is of a carefully constructed family story whose quiet observations carry considerable feeling.

The recorded responses range from mixed to strongly positive, with seven positive reviews and none negative. The reservations are harder to establish: the two mixed entries lack accessible critical text, so no specific objection can fairly be assigned to them. Slant Magazine’s caveat concerns the modest improvements in a restored presentation rather than a weakness in the film, whose quiet profundity it praises. There is little documented disagreement about the filmmaking itself.

IndieWire
22 May 2020 · David Ehrlich
95*

Ehrlich presents the film as an enduring masterpiece that restores our ability to see the fullness of life. He especially praises Yang’s compassionate vision of how people help one another understand what they cannot see for themselves.

Read the full review →
Los Angeles Times
20 March 2011 · Dennis Lim
95*

Lim calls the film a remarkably delicate, assured work that has held up exceptionally well. He singles out its tenderness and empathy, especially in the way it connects its lonely characters to a wider human world.

Read the full review →
The AV Club
14 May 2000 · Scott Tobias
95*

Tobias calls the film an intimate masterpiece and a pointillist classic. He particularly praises Yang’s delicate, insightful portrayal of the family’s private emotional lives.

Read the full review →
The Guardian
8 April 2001 · Philip French
90*

French calls the film Yang’s best and most accessible, and says it deserves a wide audience. He particularly praises its deep humanism and the decency of its characters.

Read the full review →
Time Out
15 March 2012
90*

The visible description presents Yang’s film as a masterpiece. It singles out the family’s revelations as circumstances disrupt their ordinary lives.

Read the full review →
Slant Magazine
11 January 2026 · ★★★★ · Ed Gonzalez
80

The review praises the Criterion release’s transfer as a fitting complement to the film’s quiet profundity. It singles out the added sharpness in deep-focus backgrounds and stronger reds and greens, while noting that the improvements over the 2011 release are modest.

Read the full review →
The New York Times
4 October 2000 · festival review
67*

The URL identifies this as a film-festival review of Yi Yi. The article text is inaccessible, so its verdict and specific praise or complaint cannot be determined.

Read the full review →
Screen Daily
24 May 2000 · Derek Malcolm
65*

The page identifies this as a review, but its critical verdict is not visible. The accessible text provides no praise or complaint to attribute to the critic.

Read the full review →
Eye for Film
22 May 2001 · Angus Wolfe Murray
85*

The critic finds the family saga beautifully constructed, fascinating, and full of hope. They particularly praise the individuality of the characters and the delightful performances by the young actors.

Read the full review →

Ordered by the weight we give each publication, then by score. Scores are normalised to 100; * means inferred from an unrated review. Summaries are ours, not quotations; follow the links for the reviews themselves. How we rate