Most critics like All Her Fault, and nearly all of them like Sarah Snook. Her performance as the mother whose child goes missing is the one thing the reviews agree on, praised even by those who care little for the series around her, with Dakota Fanning, Sophia Lillis and Jake Lacy also named in support. The warmest reviews find the kidnap plot tight and the twists well handled, and several credit the series with saying something about working motherhood, privilege and the habit of blaming women without turning preachy. The reservations gather around pacing and construction: some find the plotting patchy and the episodes too many, others find the reveals rushed. The spread is wide. Variety stands furthest from the majority, calling the series a middling example of the rich-mother mystery with shallow commentary and laborious pacing, and IndieWire treats it as trashy fun that runs too long, with Snook blameless. Nobody dislikes it outright.
The Guardian
7 November 2025 · ★★★★★
The critic praises the series as an extraordinarily tight child-kidnap drama that expertly balances multiple elements without becoming preachy or baggy. Snook's performance as the desperate mother is singled out as a highlight in this well-crafted thriller about working motherhood and privilege.
Read the full review →