Critics’ reviews

Get Millie Black (2024)

8 reviews from 8 publications. Critics’ score 77: 8 positive, 0 mixed, 0 negative.

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77
Positive
8
Mixed
0
Negative
0

The reviews are unanimously favourable, and the spread is narrow: nobody is rapturous and nobody is unimpressed. Most critics welcome the series as a break from the stale run of police procedurals, and the praise clusters in two places. The first is Tamara Lawrance, whose lead performance is singled out again and again, usually alongside Chyna McQueen, with the relationship between the two siblings named as the thing that stays with you. The second is Kingston itself: critics find the city drawn with care and a sharp eye for Jamaica’s social divisions, and several pick out the dialogue and production design.

The reservations gather around the plot. The Guardian thinks the central conspiracy loses its grip later on; The Hollywood Reporter calls the case perfunctory; Collider finds the investigation hard to follow; The AV Club, the coolest voice here, thinks the mystery lukewarm and predictable. Nobody dismisses the series for it. Variety is the most enthusiastic, calling it gripping throughout.

Variety
25 November 2024 · Aramide Tinubu
85*

Tinubu finds the series a distinct, gripping whodunit that builds into a complex web of crime. She especially praises its immersive, nuanced portrayal of Kingston and the outstanding performances.

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The Guardian
5 March 2025 · Hannah J Davies
80*

The Guardian finds the series clever, unsettling and often excellent, though its central criminal conspiracy weakens later on. It particularly praises Tamara Lawrance’s performance and the affecting relationship between Millie and Bis.

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The i Paper
5 March 2025 · Emily Watkins
80*

The critic finds the series a smart, refreshing departure from stale police procedurals. She particularly praises Tamara Lawrance and Chyna McQueen’s performances and the show’s nuanced handling of Jamaica’s social divisions.

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Radio Times
5 March 2025 · Morgan Cormack
75*

The critic argues that the series breaks the crime-drama mould and deserves to be judged on its own terms. The headline singles out its distinction from comparisons with Death in Paradise, but the article text is unavailable.

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The Hollywood Reporter
20 November 2024 · Daniel Fienberg
75*

Fienberg finds the series a vivid, smartly written take on familiar crime-drama conventions, though its central case becomes somewhat perfunctory. He especially praises the distinctive dialogue and Tamara Lawrance and Chyna McQueen’s performances.

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The AV Club
20 November 2024 · B- · Whitney Friedlander
70

The review finds the mystery lukewarm and predictable but says the series remains engaging. It praises the performances, especially Shernet Swearine and Chyna McQueen, along with the dialogue and immersive production design.

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Digital Spy
7 March 2025
80*

The critic finds the series fresh and exciting, and a welcome alternative to lighter crime dramas. They especially praise Tamara Lawrence’s nuanced performance and the show’s authentic portrayal of Kingston.

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Collider
20 November 2024 · 7/10 · Isabella Soares
70

Soares finds the series intense and socially thoughtful, though its investigation is difficult to follow. She praises Tamara Lawrance and Chyna McQueen’s nuanced sibling dynamic.

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Ordered by the weight we give each publication, then by score. Scores are normalised to 100; * means inferred from an unrated review. Summaries are ours, not quotations; follow the links for the reviews themselves. How we rate