Critics’ reviews

I Hate Suzie (2020)

8 reviews from 8 publications. Critics’ score 81: 7 positive, 1 mixed, 0 negative.

Back to our review of I Hate Suzie

81
Positive
7
Mixed
1
Negative
0
The Guardian
27 August 2020 · Lucy Mangan
90*

Mangan calls the series exhilarating, scabrously funny and a wild ride, praising its confident collaboration and sharp cultural perspective. She especially singles out Billie Piper’s astonishing, charismatic performance as Suzie.

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IndieWire
19 November 2020 · B+ · Steve Greene
83

Greene gives the series a positive review, praising its ability to build empathy for Suzie amid her destructive choices. He especially singles out Billie Piper’s performance for anchoring Suzie’s shifting celebrity persona and private turmoil.

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Evening Standard
27 August 2020 · ★★★★✩ · Susannah Butter
82*

Butter finds the series fresh, pacy and dryly witty. She especially praises Billie Piper’s raw, soul-baring performance.

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The i Paper
28 August 2020 · Sarah Carson
75*

Carson finds the series sharp, entertaining and powerful, with Billie Piper dazzling in the lead. She praises Piper’s performance while finding some fantastical moments offputtingly whimsical and the symbolism too on-the-nose.

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Radio Times
27 August 2020 · Eleanor Bley Griffiths
70*

The review presents the comedy as hilarious, though sometimes painful. It singles out Billie Piper, who is described as having fun playing Suzie Pickles.

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Den of Geek
27 August 2020 · ★★★★★ · Louisa Mellor
100

The review calls the series electrifying, inventive television that deserves to widen opportunities for women storytellers. It singles out Billie Piper’s captivating lead performance and the show’s energetic shifts in style for praise.

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NME
25 August 2020 · ★★★★☆ · Sam Moore
78*

The critic calls the series one of 2020’s most riveting new shows, while noting its prickly style may not work for everyone. They praise Billie Piper’s compelling performance and the show’s daring, unsmoothed portrait of Suzie’s crisis.

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Paste
18 November 2020 · 6.8/10 · Allison Keene
68

Keene finds the series ambitious and stylish but ultimately shallow and unfocused. She praises Billie Piper’s open performance while criticizing the show’s handling of its deaf child character.

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Ordered by the weight we give each publication, then by score. Scores are normalised to 100; * means inferred from an unrated review. Summaries are ours, not quotations; follow the links for the reviews themselves. How we rate