Most critics find Lessons in Chemistry pleasant, handsome and easy to watch, and most stop short of recommending it without qualification: three reviews are warm, eight sit in the middle and two are cold. The praise clusters on Brie Larson, whose dry, idiosyncratic Elizabeth Zott is singled out by almost every review, with several also enjoying her pairing with Lewis Pullman. Aja Naomi King draws the most consistent secondary praise as Harriet Sloane, and the 1950s setting and the cooking-show scenes are regularly noted as the parts that come alive.
The reservations are about shape rather than execution: too gentle, too polished, too many storylines, politics drawn too simply. Several critics feel Harriet’s story is sidelined. The spread is wide. The i Paper and Collider rate it highly; Vulture finds it inert; Den of Geek objects almost entirely to the handling of the dog, Six-Thirty, whose narration is largely cut, a decision The Guardian applauds.
