Critics’ reviews

Sunny (2024)

12 reviews from 12 publications. Critics’ score 72: 9 positive, 2 mixed, 1 negative.

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72
Positive
9
Mixed
2
Negative
1

Most critics like Sunny, and the praise gathers in two places: Rashida Jones, whose surly, grounded performance several reviews credit with holding the series together, and the look of it, a retrofuturistic Kyoto whose production design even the least enthusiastic reviews call vivid and immersive. Joanna Sotomura’s warm voice work as the robot draws separate notice, as does a tone the reviews describe as dark, funny and quietly sinister, with a real interest in grief under the android comedy.

The reservations are about the storytelling. Several critics find the plot scattered and the protagonist thin, and more than one calls the finale weak. The spread is wide: The Guardian gives it five stars and calls it the most original show of the week, while IndieWire finds it too muddled for its treatment of grief to land, and The Hollywood Reporter thinks the characters are kept at a distance. Variety admires the world-building but finds it unsatisfying as a mystery. Even the dissenters like how it looks; the disagreement is over whether the story holds.

The Guardian
14 July 2024 · ★★★★★ · Andrew Anthony
100

The critic calls Sunny the most original and tonally arresting show of the week. They praise its dark, funny, quietly sinister tone and its futuristic Japanese setting.

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The AV Club
8 July 2024 · B+ · Saloni Gajjar
83

The critic finds the mystery entertaining and thought-provoking, though its scattered storylines make it feel overlong and less cohesive. Rashida Jones’s performance and the immersive retrofuturistic production design are singled out for praise.

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Evening Standard
5 July 2024 · ★★★★ · Hayley Spencer
80

Spencer finds the genre-bending series kooky, gripping, and ultimately very watchable. She praises Rashida Jones’s snarky, endearing performance and the show’s nuanced treatment of grief and loneliness.

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Empire
15 July 2024 · David Opie
75*

The review finds the series strange, moving and largely successful, despite some pacing problems and limited insight into AI. It especially praises Joanna Sotomura’s warm, expressive performance as Sunny.

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Radio Times
26 June 2024 · Nicola Austin
75*

The review presents the series as a winner. It singles out its android antics as a strength.

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The i Paper
10 July 2024 · Marianne Levy
75*

Levy finds the series stylish, beautiful and promising, with the makings of a twisty drama full of humour and heart. She especially praises how convincingly its Homebot makes the near-future feel unnerving and highlights the questions it raises about AI.

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IndieWire
10 July 2024 · C · Ben Travers
57

Travers finds the series muddled and ultimately too messy to make its exploration of grief meaningful. He praises Rashida Jones’s winningly surly performance, though he says her character remains underdeveloped.

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Variety
10 July 2024 · Alison Herman
50*

The review finds the series stylish and immersive but ultimately unsatisfying as a mystery. It praises the Kyoto-inflected near-future world-building, especially its striking production design and inventive sequences.

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The Hollywood Reporter
10 July 2024 · Angie Han
40*

Han finds the series visually rich and watchable but narratively disappointing, with characters and themes kept at a distance. She especially praises its colorful Kyoto setting and oddball ensemble, while faulting its shallow characterization.

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NME
85*

The critic finds Sunny ambitious, weird and funny, and says its messy blend of tones works in its favor. Rashida Jones’s sharp, grounded performance is singled out for holding the series together.

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Paste
9 July 2024 · 7.5/10 · Elijah Gonzalez
75

Gonzalez finds Sunny a solid, stylish dark comedy whose mysteries mostly pay off, despite an underdeveloped protagonist and a weak finale. He especially praises Joanna Sotomura’s lively voice performance as Sunny and the robot’s growing relationship with Suzie.

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Collider
9 July 2024 · 7/10 · Elisa Guimarães
70

The critic finds the series charming despite uneven character development and a weak resolution. She especially praises its vivid visuals and engaging supporting cast, particularly the villain Hime.

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Ordered by the weight we give each publication, then by score. Scores are normalised to 100; * means inferred from an unrated review. Summaries are ours, not quotations; follow the links for the reviews themselves. How we rate