Critics’ reviews

The Boroughs (2026)

9 reviews from 9 publications. Critics’ score 72: 6 positive, 2 mixed, 0 negative.

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72
Positive
6
Mixed
2
Negative
0

Most critics respond warmly to The Boroughs, with praise clustering around its older ensemble and its treatment of ageing, grief and loneliness. Alfred Molina and Alfre Woodard draw particular approval, while the retirement-community setting gives familiar supernatural adventures a perspective the reviews largely welcome. The humour, tenderness and reflections on mortality often prove more persuasive than the monsters.

Reservations centre on uneven plotting, pacing and world-building, with several critics finding that the series struggles to distinguish itself from Stranger Things. The spread is fairly wide, though the balance remains positive rather than divided: Variety finds a captivating adventure whose characters give its themes weight. The Hollywood Reporter offers the clearest dissent, arguing that a dull mystery takes time away from the ensemble, while still crediting the performers with keeping it watchable. The broad agreement is stronger on the people than on the machinery of the sci-fi story.

Variety
21 May 2026 · Aramide Tinubu
90*

The review calls the series a captivating sci-fi horror that delivers a delightful and intriguing adventure centered on unexpected elderly heroes, highlighting its examination of grief, aging, and time through strong characters and themes.

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The Telegraph
21 May 2026 · ★★★★ · Anita Singh
80

The review calls it a cheerful, warm-hearted supernatural horror like The Goonies for seniors, with a retro Spielberg-esque adventure full of fun and silliness as retirees battle monsters. It notes the plot's lightness but warns the monster elements may drag for some.

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Vulture
21 May 2026
80*

The Netflix series is a sci-fi adventure about seniors in a retirement community that thoughtfully grapples with what the boomer generation owes those who come after them. It excels in tone, ensemble depth, and melancholy reflections on mortality and purpose, though it has familiar Netflix flaws like uneven world-building.

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The AV Club
21 May 2026 · B · Saloni Gajjar
77

The series benefits from centering older protagonists grappling with aging, loneliness, and legacy, anchored by strong performances from Alfred Molina and Alfre Woodard. It offers fun and nostalgia but falls short of Stranger Things in plotting and engagement.

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Empire
21 May 2026 · David Opie
75*

The critic finds the Duffer brothers-produced series more than a simple 'Stranger Things' retread with pensioners, praising its focus on an older ensemble's perspective and strong performances from Alfred Molina and others, while noting some pacing issues, early reveals, and underwhelming effects.

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Radio Times
21 May 2026 · ★★★ · Louise Griffin
60

The review finds the series charming and heartfelt thanks to its ensemble cast and themes of aging and love, but criticizes its failure to establish a distinct identity or deliver compelling monsters compared to Stranger Things.

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The Hollywood Reporter
21 May 2026 · Angie Han
45*

The critic describes it as a clunky geriatric spin on Stranger Things with a great cast undermined by a dull plot and misallocated time on mystery over ensemble moments, though it remains watchable thanks to the performers.

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The Guardian
21 May 2026

The critic praises the witty, star-packed series set in a retirement community as funny, tender and wise, with an intelligent script that channels Spielberg's storytelling and emotional truth while nodding to monster tropes. The fine cast and focus on human fears like loneliness and death are highlighted as strengths.

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Collider
21 May 2026 · 7/10 · Greer Riddell
70

The series is a thought-provoking sci-fi mystery that honors classic genre elements while putting older characters at the center of the action. The critic praises the ensemble cast led by Alfred Molina and the exploration of aging and grief but notes that some narrative complexity around the monsters diverts from a clearer hero-villain setup.

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Ordered by the weight we give each publication, then by score. Scores are normalised to 100; * means inferred from an unrated review. Summaries are ours, not quotations; follow the links for the reviews themselves. How we rate