Most critics like Vigil, and the praise clusters in one place: the submarine. Nearly every review credits the confined setting with lifting what several concede is a familiar police procedural, and the cutting between the boat and the investigation on land is repeatedly named as what keeps the tension up. Suranne Jones’s lead performance is admired across the board, and her pairing with Rose Leslie comes up more than once as the emotional centre of the series.
The reservations are few and mostly small. Empire finds the backstory laid on a little thickly, and one or two reviews note that beneath the setting this is a standard prestige cop drama. The spread is narrow apart from one loud dissent: The Telegraph rates it one star, finding the plot incoherent, the central romance lifeless and the reveals farcical. No other review comes close to that verdict.
