The reviews split almost down the middle, and the critics’ score lands accordingly. Where most agree is on the high point: the gun-safety sketch, in which prominent figures are talked into endorsing the arming of small children, is picked out again and again as the sharpest and most revealing stretch. There is wide respect for Baron Cohen’s discipline in staying in character and for how readily his disguised interviews draw candid remarks from powerful people. IndieWire and The AV Club see something politically consequential in that.
The reservations cluster on the jokes. Several critics find the humour inconsistent, juvenile or simply not funny enough, with segments running long. The firmer dissent comes from The Hollywood Reporter, NME and The Guardian, who argue the deception rarely shocks because its targets already say these things openly, leaving the satire little to expose. The spread is wide, from warm to flatly disappointed.
