Critics’ reviews

Who Is America? (2018)

9 reviews from 9 publications. Critics’ score 57: 4 positive, 2 mixed, 3 negative.

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57
Positive
4
Mixed
2
Negative
3

The reviews split almost down the middle, and the critics’ score lands accordingly. Where most agree is on the high point: the gun-safety sketch, in which prominent figures are talked into endorsing the arming of small children, is picked out again and again as the sharpest and most revealing stretch. There is wide respect for Baron Cohen’s discipline in staying in character and for how readily his disguised interviews draw candid remarks from powerful people. IndieWire and The AV Club see something politically consequential in that.

The reservations cluster on the jokes. Several critics find the humour inconsistent, juvenile or simply not funny enough, with segments running long. The firmer dissent comes from The Hollywood Reporter, NME and The Guardian, who argue the deception rarely shocks because its targets already say these things openly, leaving the satire little to expose. The spread is wide, from warm to flatly disappointed.

IndieWire
15 July 2018 · B · Ben Travers
77

Travers finds the series ambitious and potentially consequential, but its jokes are inconsistent and it is often not very entertaining. He praises Cohen’s ability to stay in character and draw startlingly revealing behavior from prominent subjects.

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The AV Club
15 July 2018 · B · Randall Colburn
77

Colburn finds the premiere politically incisive, though it could be funnier and some segments drag. He singles out the Kinderguardians gun-safety satire for exposing how readily political figures embrace absurd claims that advance their agenda.

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The i Paper
16 July 2018 · Miranda Bryant
70*

The review finds the series timely and its satire more sophisticated than Baron Cohen’s earlier work. It praises the way his disguised characters expose the real people they encounter, while noting that some material becomes disturbing.

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Variety
15 July 2018 · Daniel D'Addario
70*

D’Addario finds the series a rich, timely comedy, though its contempt can sometimes irritate more than enlighten. He singles out the Kinder-Guardians segment as its creative high point, while criticizing some sketches as overlong and less engaging.

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Vulture
27 August 2018 · Jen Chaney
60*

Chaney finds the season flawed but mostly entertaining, with occasional flashes of near-genius. She singles out the Kinder-Guardians segment as the show’s most incisive and blistering achievement, while criticizing its repetitive and juvenile humor.

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The Guardian
22 July 2018 · Euan Ferguson
40*

The critic finds the satire uneven and less edgy than Baron Cohen’s earlier work. The preschool-gun segment is singled out as the sharpest, though the review argues that political extremism leaves little room for satire to land.

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The Hollywood Reporter
14 July 2018 · Daniel Fienberg
30*

The critic finds the series disappointing, arguing its deception rarely feels outrageous or genuinely funny in a world where its targets already air their views openly. He praises Cohen’s sketch-comedy skills and some scripted jokes, but says the characters grow less amusing with more screen time.

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The Ringer
27 August 2018 · Alison Herman
50*

Herman finds the series uneven, with its satire sometimes exposing its targets and sometimes falling flat. She singles out Erran Morad’s ability to draw candid, revealing remarks from like-minded subjects as the show’s strongest work.

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NME
17 July 2018 · Jordan Bassett
30*

The critic finds the show dated and less shocking than the political reality it tries to expose. The Gunimals segment is singled out as the episode’s one moment that successfully hits its target.

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Ordered by the weight we give each publication, then by score. Scores are normalised to 100; * means inferred from an unrated review. Summaries are ours, not quotations; follow the links for the reviews themselves. How we rate