Critics’ reviews

20 Feet from Stardom (2013)

19 reviews from 19 publications. Critics’ score 79: 18 positive, 1 mixed, 0 negative.

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79
Positive
18
Mixed
1
Negative
0

Almost every critic likes this film, and most like it a great deal. The praise clusters on the singers themselves: Merry Clayton, Darlene Love and Lisa Fischer are named again and again, and the reviews describe the documentary as joyous, rousing and infectious. Clayton’s account of recording ‘Gimme Shelter’ is singled out more than once, as is Morgan Neville’s use of archive footage and the sheer quality of the music. Several critics say the women outsing the stars they stood behind.

The reservations are consistent and mild. A number of reviews, among them The AV Club and Slant, find that the film has too many stories and never quite shapes them into one. Others, including The Guardian, wish it had said more about race and gender rather than settling for a feel-good tone. The spread is narrow; the lone mixed notice, from the Evening Standard, calls it an enjoyable arts feature on a safe subject, technically unremarkable.

Empire
11 March 2014 · Angie Errigo
90*

The critic praises the documentary as joyous, spectacular, tuneful, touching and thoughtful, noting its engaging exploration of back-up singers' artistry and stories of exploitation and talent versus fame.

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Los Angeles Times
13 June 2013 · Kenneth Turan
90*

The critic describes the film as infectious and irresistible, a moving and joyous look at backup singers who outsing many stars. It singles out the powerful voices and personal stories of the women, especially their transformative performances and resilience.

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RogerEbert.com
28 June 2013 · Susan Wloszczyna
90*

The critic praises the documentary as a rousing tribute that highlights the talents of backup singers like Merry Clayton and Darlene Love. It singles out the women's personal stories and performances, especially Clayton's work on 'Gimme Shelter,' for making the film absorbing and revelatory.

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Variety
18 January 2013 · festival review
90*

The critic calls it a compelling crusade to recognize background singers, with a rousing group portrait that should appeal broadly. It singles out the essential role of African-American singers in shaping pop music sound and the absorbing personal accounts from figures like Darlene Love and Merry Clayton.

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The AV Club
13 June 2013 · B+ · Sam Adams
83

The documentary celebrates the accomplishments of mostly female backup singers through stories of heartbreak and near-misses with fame, though it struggles to fully explore racial and industry issues or weave its narratives cohesively.

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Screen Daily
5 March 2013 · festival review
80*

The critic describes it as a heartfelt tribute that thoughtfully examines race and gender in the music industry through the stories of African-American vocalists, with breezy execution and rewarding vocal performances, though it settles on a feel-good tone.

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Time Out
25 March 2014 · ★★★★ · David Fear
80

The review highlights how the film puts unsung backing singers in the spotlight and effectively balances their success stories with failed solo attempts and ego suppression, calling it several cuts above average music docs and inspiring.

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Sight and Sound
27 March 2014 · Kate Stables
70*

The critic praises Neville's exuberant documentary for foregrounding the black female backing singers with energetic oral history, archive footage and performances, celebrating their gospel-rooted contributions while noting their struggles with solo careers and industry exploitation.

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Slant Magazine
10 June 2013 · Thomas Hachard
70*

The joyous documentary spotlights the stories of backup singers and their contributions to music history while touching on civil rights and industry mistreatment of women, though it has trouble shaping these into a clear narrative; the music and historical moments override structural flaws.

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The Guardian
27 March 2014 · Peter Bradshaw
70*

The critic calls the film a great idea and a thoroughly enjoyable movie bursting with life, music and energy that highlights the under-appreciated backing singers. They note some personal sadness for those who wanted stardom but also wish for more discussion of race and gender issues.

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The Hollywood Reporter
18 January 2013 · festival review · Justin Lowe
70*

The film recognizes the talent and sacrifice of backup singers who have supported major stars, profiling figures like Darlene Love, Merry Clayton, and Lisa Fischer while noting its cable-friendly appeal and broader ambitions.

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The New York Times
14 June 2013 · A.O. Scott
70*

The critic calls the film generous and fascinating for rewriting pop music history by focusing on marginal yet vital backup singers. It singles out the theme of luck, ambition, and prejudice keeping talent in the shadows, along with standout performances like Claudia Lennear's take on 'Southern Man.'

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Evening Standard
28 March 2014
60*

The critic calls it an enjoyable arts feature with great music clips but technically unremarkable and a safe subject, arguing it was not deserving of its Oscar win over more daring films.

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Eye for Film
21 February 2014 · Andrew Robertson
90*

The critic calls it a fantastic musical documentary that is foot-tapping and uplifting. They single out the compelling interviews with the backup singers and the rich archive footage and celebrity contributions for praise, while noting minor organizational issues in presenting multiple stories.

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The Wrap
13 June 2013
85*

The critic calls the film a marvelously entertaining and instructive documentary spotlighting the hugely talented backup singers behind major stars. It shows how talent alone is often insufficient for stardom, but highlights the joy these performers find in sharing their voices.

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Digital Spy
24 March 2014 · ★★★★ · Stella Papamichael
80

The film gives backing singers their overdue spotlight as unsung heroines of the music industry. It features a cracking soundtrack and vivid personal stories from figures like Merry Clayton and Darlene Love.

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HeyUGuys
28 March 2014 · ★★★★ · Amon Warmann
80

The critic calls it an illuminating and hugely entertaining documentary with important messages, a legitimate feel-good movie of the year. They single out the toe-tapping use of music, archived tracks, and the singers' candid stories for praise, while noting that some threads like racism and sexism could have had more screen time.

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Collider
18 January 2013 · B · Matt Goldberg
77

The critic praises the film's exploration of music history, race, collaboration, and performance through backup singers' perspectives, highlighting their passion and sisterhood; complains that the focus on individual careers and fame's capriciousness undermines the main point.

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Paste
1 July 2013 · 7.2 · Annlee Ellingson
70*

The review highlights the film's thorough documentation of backup singing craft and its showcase of talented black female singers' stories and performances set to great music; notes it feels a bit long and doesn't deeply explore those who succeeded as leads or modern tech impacts.

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Ordered by the weight we give each publication, then by score. Scores are normalised to 100; * means inferred from an unrated review. Summaries are ours, not quotations; follow the links for the reviews themselves. How we rate