Critics’ reviews

A Quiet Place (2018)

23 reviews from 23 publications. Critics’ score 84: 22 positive, 1 mixed, 0 negative.

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84
Positive
22
Mixed
1
Negative
0

Most critics find A Quiet Place a tightly controlled, frightening thriller whose family drama gives the scares emotional weight. Praise centres on the sound design and near-silence, with reviews repeatedly noting how ordinary acts of survival become tense set pieces under John Krasinski’s direction. The performances also draw broad approval, particularly Millicent Simmonds and Emily Blunt, while several critics see the family’s predicament as an effective way of exploring parental fear and responsibility.

The spread runs from enthusiastic praise to one mixed assessment, with no outright negative reviews. Reservations concern plot logic, thinly drawn family dynamics and how much the film offers beyond its central idea. Variety admires the suspense but finds the construction contrived and too pleased with its premise. The Ringer is the clearest dissenter: it finds the survival thriller engaging, but argues that implausibilities and an overly serious tone prevent the drama from earning its intended weight.

Radio Times
★★★★★ · Alan Jones
100

The critic hails it as a sensational shocker and instant sci-fi horror classic blending family drama and creature feature. It singles out the masterclass in evoking unbearable tension through economic storytelling, choreographed scares, tremendously effective sound design, and the creatures as the stuff of nightmares.

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The Times
6 April 2018 · ★★★★★ · Ed Potton
100

The critic calls it the scariest film seen in years with a devastatingly simple premise, horrible monsters and genuine emotional oomph. They single out the masterful execution of terror through near-total silence.

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Empire
16 March 2018 · Kim Newman
90*

The high-concept monster movie narrows its focus effectively to deliver relentless suspense set-pieces. It features great creature design and a standout performance from Millicent Simmonds.

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Los Angeles Times
5 April 2018 · Justin Chang
90*

The critic finds it a sensationally gripping and emotional thriller, praising how it immerses viewers in the minutiae of everyday survival and the commanding performances, especially from the deaf actress and Krasinski as the father.

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Screen Daily
27 March 2018 · festival review
90*

The critic calls it a nail-biting genre hit and smart, spiky successful thriller bound to do roaring business, with Krasinski ratcheting up tension through a wholly convincing performance from Emily Blunt. It singles out the rare use of special effects sparingly to amplify drama, strong performances, and how it brings elemental questions of family love and sacrifice to the genre framework.

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Sight and Sound
18 April 2018 · Nikki Baughan
90*

The critic praises Krasinski's film as a masterly evocation of silent terror, both a devastating allegory about protection and paranoia and a genuinely frightening succession of jump-scares. It singles out the deep emotional level achieved through the prism of a single family's struggles with grief and guilt, alongside pitch-perfect filmmaking and immersive sound design.

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The Guardian
5 April 2018 · Peter Bradshaw
90*

The critic finds the film a brilliantly suspenseful thriller in which a family must remain silent to avoid giant predators. They single out its simplicity and punch as evoking classic sci-fi films like Planet of the Apes.

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The Hollywood Reporter
9 March 2018 · festival review · John DeFore
90*

A terrifying thriller with a surprisingly warm heart, this is a monster-movie allegory for parenting in a world gone very wrong. It delivers relentless action beats with emotional pauses in the final third and uses the fantastic to convey parental fear and responsibility.

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The New Yorker
6 April 2018 · Anthony Lane
90*

The critic describes the film as a robust and frightening fable fashioned from a splendid premise, praising its fat-free storytelling, sound design, and the standout performance by the young deaf actress, noting it is enjoyable and coherently plausible.

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Total Film
2 April 2018
85*

The film is a tense, high-concept horror that builds suspense through its sound-sensitive premise and family dynamics.

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Evening Standard
6 April 2018 · Charlotte O'Sullivan
80*

This is a refreshingly unglossy creature-feature thriller that works as a blockbuster for those who dislike typical Bay productions. It highlights strong performances, particularly from Millicent Simmonds, and effective sound design.

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Little White Lies
1 April 2018 · 4/4/3 · Anton Bitel
80

The critic finds much to admire in this muted horror, noting its tense monster apocalypse with all the muted feels and how it presents domestic units and protective parenting as salves in despair. It singles out the cat-and-mouse tension akin to Don't Breathe but complains of big teeth but little to digest afterwards.

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The i Paper
4 April 2018 · ★★★★
80

It is one of the most terrifying and original horror films in years, with a strong premise and heartfelt performances that elevate it beyond a creature feature. Krasinski's direction excels at ratcheting tension.

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Time Out
28 March 2018 · ★★★★ · Ian Freer
80

The critic calls it a smartly-executed monster movie that grabs you and doesn't let go, thriving on a nifty premise of survival in a sound-deadly world. It singles out the pure bold cinema with minimal dialogue, nerve-shredding set pieces, and a neat allegory for parenting challenges, while noting the family dynamics lack nuance.

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The New York Times
4 April 2018 · Jeannette Catsoulis
70*

The critic calls it an effective old-fashioned creature feature with a simple hook about sound-hunting monsters, praising the skillful direction that uses silence to heighten attention to facial expressions and strong performances, especially from the young deaf actress.

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Variety
9 March 2018 · festival review · Owen Gleiberman
70*

The critic calls it a tautly original genre-bending exercise that is technically sleek with vivid scary moments, praising the suspenseful scenes and Krasinski's direction while noting it is a bit contrived and in love with its own premise.

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Vulture
3 April 2018
70*

The gimmick of avoiding sound is thunderously effective and makes the film aggressively scary, with strong performances creating a convincing family. It lacks an obvious endgame and is not as fun as similar recent horror like Don't Breathe.

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Den of Geek
19 March 2018 · ★★★★★ · Simon Brew
100

The critic finds the film damn near unmissable, praising its innovative use of sound and silence in horror, the performances especially Emily Blunt's, and its emotional depth alongside scares.

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Deadline
3 April 2018 · Pete Hammond
95*

The critic calls the film a genuinely effective and brilliantly executed piece of horror, a truly terrifying movie that earns its screams by turning off the sound. He singles out Krasinski’s direction for creating edge-of-your-seat anxiety through silence and sound design.

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The Wrap
4 April 2018 · Robert Abele
85*

The critic finds it a meticulously muscle-clenching exercise in gimmicky horror with a clever idea that gets a healthy workout. He singles out the well-acted family dynamics and precise use of sound and silence for building tension.

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Collider
5 April 2018 · B+ · Haleigh Foutch
83

The film succeeds as a tense horror movie that emphasizes family bonds and parenting under extreme pressure. Strong performances, particularly from Emily Blunt, and effective atmosphere stand out as highlights.

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/Film
10 March 2018 · 8/10 · Meredith Borders
80

The critic calls it a scary and effective monster movie with outstanding sound design, creature work, and tension-building set pieces, along with strong wordless performances from the cast. Some plot logic issues are noted as occasional distractions from the spell.

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The Ringer
5 April 2018 · K. Austin Collins
50*

The movie is engaging but undermined by its overly serious tone and implausible elements that verge on silliness. It works best as a vicarious thriller about survival but falls short of fully earning its dramatic ambitions.

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Ordered by the weight we give each publication, then by score. Scores are normalised to 100; * means inferred from an unrated review. Summaries are ours, not quotations; follow the links for the reviews themselves. How we rate