Critics’ reviews

A Room with a View (1986)

7 reviews from 7 publications. We need six from publications we count before we show a critics’ score; there are 2 so far.

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Positive
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Mixed
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Negative
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Radio Times
★★★★ · David Parkinson
80

This is the first Merchant Ivory adaptation of E.M. Forster and a vibrant, influential heritage film. The witty script, breathtaking images of Florence and Surrey, and masterclass performances from Helena Bonham Carter, Julian Sands, Daniel Day-Lewis and Maggie Smith make the Edwardian charm irresistible despite some longueurs.

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Empire
1 January 2000 · Ian Nathan

The most adorable of all the Merchant-Ivory productions, this Forster adaptation is a high-class British classic that injects refined poise with genuine sexual undercurrents and wit. Stunning cast and scenery cannot fill the hole where the heart of this film should be; a satire with an unnaturally soft centre.

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Film Comment
1 January 2016 · Farran Smith Nehme

The critic praises Merchant-Ivory's adaptation as fresh, sophisticated, and passionate, celebrating its fidelity to Forster's text, witty dialogue, and the performances—especially Helena Bonham Carter as Lucy and Maggie Smith as Charlotte—while highlighting the film's blend of comedy, emotion, and visual beauty.

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Los Angeles Times
21 March 1986 · Sheila Benson

The review calls the film an airy, delightful adaptation that is virtually irresistible, praising the direction, cast, and production values while noting some quibbles with the lead actress.

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The New York Times
7 March 1986 · Vincent Canby

The critic praises the film's faithful and ebullient adaptation of Forster's novel, highlighting its humor and the standout performance of Helena Bonham Carter as Lucy.

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Variety
31 December 1985 · Variety Staff

It describes it as a thoroughly entertaining adaptation distinguished by superb ensemble acting, intelligent writing and stunning design.

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Eye for Film
7 June 2009 · Jennie Kermode
65*

The critic praises the excellent cast, splendid cinematography, and faithful yet witty adaptation of Forster's examination of manners, but notes that the elegant production makes the ending too conventionally romantic, diminishing Lucy's personal struggle for freedom and leaving the story feeling like fragments that do not fully gel.

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Ordered by the weight we give each publication, then by score. Scores are normalised to 100; * means inferred from an unrated review. Summaries are ours, not quotations; follow the links for the reviews themselves. How we rate