Most critics do not think much of it. Five of the eight reviews are negative and only one is positive, and the verdict that recurs is that Jim Carrey’s performance is far more energetic than the film around it. Nearly everyone grants him that energy; several remark on how manic he is, and the Los Angeles Times finds it produces real, if unexpected, laughs alongside the hero’s odd tenderness towards animals.
Where the reviews part is over whether the energy is enough. The 1994 notices mostly complain that there are too few gags for the running time and that the plotting has the attention span of a small child. The third-act twist is the other sticking point: Variety objects to it at the time, and later reviews from Vulture and Slant make it the central charge, describing it as openly homophobic and transphobic. The spread is wide, but heavily weighted towards the bottom.
