The reviews are unanimously positive, with praise clustering around Klaus Kinski’s feverish performance and Werner Herzog’s use of the Amazon landscape. Critics repeatedly describe the expedition’s madness through the physical force of the locations: the river and jungle make the conquistadors’ ambitions look puny. Kinski’s portrayal of deluded authority is the other constant, giving the film’s treatment of greed and colonial power a disturbing human focus. The Playlist also singles out Popol Vuh’s haunting score.
The spread runs from approval to outright celebration, rather than revealing a substantive critical divide. The Independent and RogerEbert.com offer the more restrained assessments, but both still praise Kinski, with the latter also stressing the river journey’s physical reality. No clear reservation recurs across the supplied reviews; differences lie chiefly in how much attention critics give to imperial folly, oppressive atmosphere or the rawness of filming on location.
