Critics’ reviews

Akira (1988)

13 reviews from 13 publications. We need six from publications we count before we show a critics’ score; there are 5 so far.

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Positive
5
Mixed
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The Guardian
6 October 2020
80*

The 1988 cyberpunk animation re-emerges as a deeply strange nightmare about destruction and rebirth. It delivers a startling post- and pre-apocalyptic nuclear-age parable of anxiety, with a thanatonic rapture in its vision of a world ending and being reborn.

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Time Out
21 June 2011 · ★★★★ · David Jenkins
80

The review praises the film's towering achievement of imagination and the miraculous detail in each frame as a miracle of film artistry. It notes that Otomo favours spectacle above all else, so supporting players feel less integral to the story.

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Empire
1 January 2000 · Kim Newman

The critic describes Otomo's film as an ingenious cyber-punk epic beginning and ending with devastation, obsessed with power, rebellion and a changing friendship. It singles out the scintillating hand-drawn animated visuals as unmatched, declaring the film vitally important to cinema.

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Evening Standard
10 April 2012

The critic hails Katsuhiro Otomo's 1988 anime as his finest achievement, a brilliantly drawn extravaganza now restored in high definition. It singles out the film's aesthetic passion, visual flair and underlying philosophy amid its anarchic violence as what elevates it among the greatest animated features.

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Los Angeles Times
14 March 1990 · Charles Solomon

The critic dismisses 'Akira' as a compendium of the worst clichés of Japanese animation and a jumble of high-tech visuals. He complains that the convoluted story will leave most viewers lost without prior knowledge of the source comics.

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The AV Club
19 April 2002 · Tasha Robinson

The critic finds the 1988 film a landmark animated production whose script is crowded and rushed but whose imagery is incomparable, with post-apocalyptic Tokyo vividly realized in both intimate action scenes and large-scale destruction. Otomo's use of sound and a restored version's visuals are singled out for praise.

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The New York Times
19 October 1990 · Janet Maslin

The critic calls 'Akira' a phenomenal work of animation with the hallmarks of an instant cult classic. She singles out the intricate, detailed artwork and vibrant color palette for praise.

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The Times
17 April 2026 · ★★★★☆ · Kevin Maher

The astonishing 1988 animation is essential viewing that you cannot write the story of popular culture without. Its hand-drawn artistry is impeccable and the visuals, cityscapes and action have endured as ideologically bleak, incessantly violent and astonishing.

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Variety
31 December 1987 · festival review · Variety Staff

The review describes the film as a lavish animation extravaganza and a remarkable technical achievement in design and sound. It notes a minor drawback in the slight stiffness of human movement animation.

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Collider
16 July 2023 · A · Marco Vito Oddo
95

The critic finds the 1988 film still a quintessential cyberpunk experience that effectively discusses the dangers of scientific knowledge without moral guidance. The hand-drawn animation remains eye-popping and technically groundbreaking more than three decades later.

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Den of Geek
20 September 2016 · Ryan Lambie
90*

The critic praises Akira as one of the most important and influential animated features, highlighting its technical brilliance, kinetic animation, and human story beneath the violence and intrigue. They single out the exhilarating motorcycle scene and the film's distinctive design and score for praise.

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Digital Spy
13 July 2013 · Hugh Armitage
85*

The review lauds Akira as a visually stunning and kinetically energetic anime classic that remains relevant, praising its detailed animation and dark parable on societal breakdown. It singles out the stunning design and prescient themes for praise while noting the violence may not suit everyone.

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Eye for Film
13 February 2010 · Donald Munro

The critic calls Akira a classic and a step change in animation, praising its stunning visuals, attention to detail, and bold imagery as a spectacular watch. Minor complaints include an overcomplicated plot, too many characters, and a clumsy English dub.

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Ordered by the weight we give each publication, then by score. Scores are normalised to 100; * means inferred from an unrated review. Summaries are ours, not quotations; follow the links for the reviews themselves. How we rate