Critics’ reviews

All About Eve (1950)

11 reviews from 11 publications. Critics’ score 93: 7 positive, 0 mixed, 0 negative.

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93
Positive
7
Mixed
0
Negative
0

The consensus is firmly positive, with praise concentrated on Mankiewicz’s witty screenplay and the performances that give its theatrical rivalries their bite. Most critics single out Bette Davis, finding both authority and sympathy in her portrayal of Margo Channing, while the wider cast earns credit for making the barbed exchanges entertaining. The reviews also value the film’s cynicism about fame and ambition, with several drawing attention to its treatment of womanhood and feminine power.

The differences concern relatively small reservations rather than any substantial dissent. Radio Times finds minor weaknesses in the flashback structure and Anne Baxter’s performance, while Eye for Film considers the film stagey and lengthy by modern standards. Collider acknowledges visual shortcomings but finds ample compensation in the dialogue and acting. Across the reviews, these caveats leave the shared enthusiasm for the writing and performances intact.

Radio Times
★★★★★ · Tony Sloman
100

Mankiewicz's witty, cynical tale of theatrical rivalries features first-rate performances and especially clever dialogue that today's audiences revel in. Minor flaws in the flashback structure and Anne Baxter's performance are outweighed by its status as a sophisticated classic.

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Time Out
27 November 2007 · ★★★★★ · Ben Walters
100

The film dissects the narcissism and hypocrisy of the spotlight as sharply as Sunset Blvd, with equal attention to the challenges of enacting womanhood. Anne Baxter's Eve is the wide-eyed hanger-on who insinuates her way into Bette Davis's world.

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Total Film
30 November 2007
85*

The film is a caustic critique of New York theatre folk that skewers their pomposity with devastating accuracy, but a superlative cast, witty screenplay and top-drawer direction from Mankiewicz make it one of the most entertaining.

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Empire
28 October 2007 · David Parkinson
80*

Mankiewicz's showbiz bitchfest remains rousing and endlessly amusing thanks to its witty script and strong performances, especially the showdown between Baxter and Davis. The merciless demythologising of fame's trappings is acutely relevant.

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The New Yorker
14 October 1950 · John McCarten

The critic finds the film a thoroughly entertaining movie thanks to Mankiewicz's ingenious treatment of the familiar story. He singles out Bette Davis's high-voltage, authoritative performance that transforms a difficult character into a sympathetic one.

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The New York Times
14 October 1950 · Bosley Crowther

The critic praises this withering, witty and mature satire as the movies letting Broadway have it with claws out. He singles out the gallery of dazzling, horrifying and fascinating characters, especially Bette Davis's central performance as the focal figure.

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Variety
13 September 1950 · Abel Green

The critic calls it a literate, adult film of the calibre that will do big league, big town business with all the elements for the general runs. He singles out the exceedingly well-cast performances and the purposeful, intelligent intra-trade references and dialogue.

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Den of Geek
28 February 2011 · ★★★★★ · Joseph Ewens
100

The critic praises the film's script and performances, particularly Bette Davis's nuanced portrayal of Margo Channing and the witty, poignant dialogue, calling it a bona fide classic. They single out the gender politics monologue for praise.

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The Skinny
7 November 2007 · ★★★★★ · Laura Smith
100

The review hails it as one of the most enjoyable films ever made, praising Bette Davis's towering, acid-tongued performance as Margo Channing and the pyrotechnic dialogue. It notes the restored print and timing with Davis's centennial.

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Eye for Film
20 November 2007 · Anton Bitel
85*

The critic praises the film's sharp dialogue, precise performances, and cynical portrayal of ambition and feminine power, noting its classic status and Bette Davis's iconic role, while acknowledging it feels stagey and lengthy by modern standards.

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Collider
2 March 2011 · Andre Dellamorte

The critic finds All About Eve a wonderful classic whose witty, quotable dialogue and strong performances more than compensate for any visual shortcomings. They single out the crackling script and the cycle of ambition it depicts for particular praise.

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Ordered by the weight we give each publication, then by score. Scores are normalised to 100; * means inferred from an unrated review. Summaries are ours, not quotations; follow the links for the reviews themselves. How we rate