The consensus is firmly positive: all fourteen reviews admire the film’s patient treatment of investigative journalism and its ability to make procedural detail tense. Praise centres on Pakula’s restrained direction, William Goldman’s handling of a complicated investigation, and Gordon Willis’s cinematography, particularly the contrast between the bright newsroom and shadowed spaces beyond it. The convincing office detail and controlled ensemble performances also draw approval, with Jason Robards repeatedly singled out.
The spread is chiefly between admiration and enthusiasm, rather than opposing verdicts, and reservations are scattered. The Hollywood Reporter finds that the plotting occasionally thins out and gives the protagonists too little jeopardy, a qualification to the wider praise for suspense built from methodical work. /Film admires the procedural filmmaking but finds its faith in journalistic accountability quaint in the present political climate; the disagreement concerns how that faith holds up, not the skill with which the investigation is dramatised.
