
Most critics respond warmly to An Education, with praise centred on Carey Mulligan’s performance as a schoolgirl impatient for adult life. The reviews repeatedly single out her wit, vulnerability and restraint, alongside a supporting cast that gives the comedy its human detail. Lone Scherfig’s direction is widely admired for its light touch and attention to class and generational tensions. For many critics, the humour makes the painful material more affecting without brushing it aside.
Reservations centre on the screenplay, though their severity varies considerably. Time Out finds that the adaptation softens the memoir’s sharper edges, while Empire enjoys the charm but considers the film slight. Paste offers a stronger dissent, arguing that predictable plotting and flattened characters undermine the lead performances. Den of Geek, by contrast, finds subversive depth beneath the cheerful surface: the main disagreement is over how far the film challenges its familiar coming-of-age framework.
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Sight and Sound
1 November 2009 · Kate Stables
85*
Praises the film's crisp direction by Lone Scherfig and its focus on a teenage girl's hunger for adult life and experiences beyond peer approval or romance. Highlights the nuanced handling of class, sexual politics and the central performance by Carey Mulligan.
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Slant Magazine
7 October 2009 · Ryan Stewart
80*
Mulligan gives an understated, beautiful performance as the precocious teen; the film succeeds on its emotional terms despite some conventional plotting, highlighting the heroine's disillusionment with sophisticated but flawed adults.
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Time Out
30 September 2009 · ★★★★ · Dave Calhoun
80
Calls it an accessible comedy romance that captures suburban life and generational shifts through strong performances, especially by Mulligan and the supporting cast. Notes that the script softens some edgier elements of the source memoir.
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Screen Daily
20 January 2009 · festival review
75*
Highlights the lively period drama's strong cast and newcomer Mulligan's memorable performance as a girl drawn to a con-man's glamorous lifestyle over academic ambitions. Notes the film's old-fashioned tale of temptation and its potential for art-house success.
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Empire
1 October 2009 · Dan Jolin
The critic finds the film decent but unremarkable overall, praising its easy charm and satisfying story while noting it feels somewhat slight. They single out Carey Mulligan's central performance as the standout element that elevates the picture.
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Evening Standard
10 April 2012
The critic praises the film as a lovely, sensitive depiction of early 1960s Britain and a young woman's coming of age, highlighting its measured charm and the way it captures the era's values. They single out the strong performances, especially Carey Mulligan's, and the precise direction.
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Los Angeles Times
20 January 2009 · festival review · Kenneth Turan
The film shows an unerring instinct for human nature and its foibles, presenting nuanced pleasures in the story of a schoolgirl's relationship with an older man. It praises the keenly observed direction and the lead performance.
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The Guardian
29 October 2009 · Peter Bradshaw
The film is a sad, painful comedy that is extremely funny despite its subject matter. Peter Bradshaw singles out Carey Mulligan's wonderful performance as the vulnerable schoolgirl for particular praise.
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The Hollywood Reporter
21 January 2009 · festival review
Mulligan delivers a star-making performance as the schoolgirl swept up by an older man; the film is a smart, moving coming-of-age story with a fine cast and strong script.
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The New York Times
9 October 2009 · A.O. Scott
The film is a sprightly and slippery adaptation of Lynn Barber's memoir that balances comic tone with the story of a young woman's seduction by an older man. It singles out Carey Mulligan's preternatural wit and the delicate handling of the predatory elements.
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The Times
30 October 2009 · Toby Young
An Education is a wonderful, life-affirming picture that restores faith in cinema and deserves all the prizes it will win. Toby Young highlights the strong central performance from Carey Mulligan and the film's blend of comedy and humanity.
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Den of Geek
21 March 2010 · ★★★★★ · Michael Leader
100
The critic describes the film as sweet, engrossing, and subversive, highlighting its focus on the protagonist's perspective and the theme of education versus life experience. Praises the depth beneath its perky surface and the subjective viewing experience.
Read the full review →C
Collider
26 January 2009 · festival review · Steven Weintraub
90*
The critic raves that the film is pitch-perfect and entertaining from start to finish, calling it a standout coming-of-age story. They single out Carey Mulligan's outstanding performance as Jenny for particular praise.
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Eye for Film
11 February 2009 · festival review · Amber Wilkinson
85*
The material is spectacularly well handled with Hornby's script mixing comedy and emotional weight and Scherfig directing with a light touch. Mulligan gives a terrific performance and Sarsgaard strikes a careful balance in his role, though some subsidiary characters feel flat.
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The Playlist
26 October 2009 · festival review · Oliver Lyttelton
85*
It is a stylish, moving and deeply pleasurable coming-of-age film that matches high expectations, with an impeccably good lead performance from Mulligan and strong direction from Scherfig. The script lets characters speak for themselves in an oppressive 1960s setting.
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Digital Spy
27 October 2009 · Stella Papamichael
80*
The review commends Carey Mulligan's stunning debut as the precocious Jenny and Lone Scherfig's gentle handling of complex dynamics in the story of a teenage girl's awakening. It notes the film's witty portrayal and memorable study of its lead character beyond stereotypes.
Read the full review →P
Paste
9 October 2009 · Robert Davis
45*
The critic finds the film undermined by its screenplay, which telegraphs plot points and flattens characters instead of trusting its strong cast. They praise the lead performances by Carey Mulligan and Peter Sarsgaard but fault the conventional story and tidy resolution.
Read the full review →H
HeyUGuys
20 October 2009 · 3 · Jon Lyus
The film is a surprise hit and possibly the best British film of the year thanks to strong performances, especially Carey Mulligan's, and Nick Hornby's outstanding script. Scherfig's direction creates a flawless world and elicits powerful work from the cast.
Read the full review →Ordered by the weight we give each publication, then by score. Scores are normalised to 100; * means inferred from an unrated review. Summaries are ours, not quotations; follow the links for the reviews themselves. How we rate