Critics’ reviews

Ant-Man and the Wasp: Quantumania (2023)

17 reviews from 17 publications. Critics’ score 57: 5 positive, 3 mixed, 3 negative.

Back to our review of Ant-Man and the Wasp: Quantumania

57
Positive
5
Mixed
3
Negative
3

The reviews split widely, and the one thing nearly everyone agrees on is Jonathan Majors. Critics at both ends of the spread single out his Kang as the film’s strongest element, several calling it the only thing worth keeping. The Quantum Realm draws the next most consistent praise: the positive notices find the creatures and settings inventive and the film goofy, weird fun, and Den of Geek places it towards the upper end of the Marvel run. The reservations cluster around the same two complaints: that the effects swamp the story, and that the whole thing plays as a trailer for later chapters rather than an Ant-Man film in its own right. Little White Lies finds the once-charming series sunk under CGI bloat and bad jokes, The Telegraph calls it plotless and emotionless, and Vulture goes furthest, judging it atrocious and lifeless, with cast and filmmakers alike apparently uncommitted. Most also note the humour is thinner than before.

Radio Times
14 February 2023 · ★★★★ · James Mottram
80

The critic praises the wild and weird Quantum Realm and Jonathan Majors' performance as Kang, calling it a promising start to Phase Five and a fun standalone adventure. They single out the inventive creatures and settings for praise.

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Total Film
14 February 2023 · ★★★ · Kevin Harley
60

Despite some CGI and saga-building issues, the film offers the MCU’s most tripped-out sci-fi material yet with terrifically imagined results. It stretches Ant-Man effectively while stirring up family intrigues and peril, even as the finale lands flatly.

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Screen Daily
14 February 2023
50*

The review notes it amps up stakes with Jonathan Majors as a compelling Kang but finds results predictable, with the MCU losing steam creatively. It praises Majors' layered performance and the series' modest likability.

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Little White Lies
15 February 2023 · 3/2/2 · Jake Cole
40

The critic finds the film sinks under CGI bloat, bad jokes, and the pressure to set up Kang, turning the once-charming Ant-Man into another uninspiring MCU slog. They criticize homogenized visuals and glib themes.

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The Telegraph
★★
40

The film is plotless and emotionless, a depressing example of special effects overwhelming storytelling and charm. It offers little beyond generic CGI spectacle.

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Vulture
17 February 2023 · Bilge Ebiri
10*

The film is described as atrocious, with listless performances, unconvincing universe, and a lifeless bitterness in its humor; the critic singles out the lack of feeling and commitment from the cast and filmmakers.

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Empire
16 February 2023 · Alex Godfrey

The film struggles to deliver truly trippy or mind-bending visuals despite its quantum setting and feels more like a setup for future MCU entries than a standalone story. It finds strengths in Jonathan Majors' eccentric and captivating Kang and the tense interactions with Michelle Pfeiffer's Janet.

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The Guardian
19 February 2023

The film is a baffling and illogical special-effects dump dominated by exposition. Jonathan Majors’ magnetic performance as Kang provides the sole saving grace.

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The Hollywood Reporter
14 February 2023 · Frank Scheck

The critic notes the film trades humor for scale and extravagance, praising the visual design of the Quantum Realm and Jonathan Majors' performance as Kang, while observing that humor is in shorter supply.

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The New York Times
16 February 2023 · Manohla Dargis

The critic finds the film busy, noisy and thoroughly uninspired, a hash of recycled ideas that serves mainly as a launchpad for a new villain. She notes it bops along at first thanks to the cast's charm but ultimately fails to take flight.

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The Times
15 February 2023

The Marvel machine feels broken, with an atrociously lazy script that even strong performances cannot rescue. Jonathan Majors excels as Kang amid the dirge-like result.

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Variety
14 February 2023 · Owen Gleiberman

The critic calls it a state-of-the-art world-building exercise that is fun, bedazzling, relentless and numbing all at once, with the series going full Marvel in the Quantum Realm. He praises Jonathan Majors' commanding presence as Kang but notes the busy plot feels like setup for future chapters.

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Consequence
14 February 2023 · B+
83

The movie delivers delightful weirdness and goofy fun through its imaginative Quantum Realm and strong ensemble performances, making it an engaging chapter in the MCU despite some messy world-building. It embraces the serialized nature of the franchise while prioritizing entertainment over gravitas.

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Den of Geek
16 February 2023 · ★★★★ · Don Kaye
80

The critic finds the film leans toward the upper end of the MCU spectrum despite a few lapses in the first act. The characters and performances are terrific, the world-building in the Quantum Realm is superb, the stakes are elevated, and Jonathan Majors' Kang is compelling.

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The Wrap
14 February 2023
75*

The review commends the film's impressive balance of comedic and darker tones, with Paul Rudd's charm and Jonathan Majors' intense villainy providing the central dynamic. It notes that the movie works as both a standalone entry and a setup for future stories while making good use of most of the ensemble, though Evangeline Lilly's Wasp is underused.

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Collider
14 February 2023 · B- · Ross Bonaime
70

The film stands out for its ambitious introduction of Kang the Conqueror and the visually inventive Quantum Realm but feels like it sidelines the core Ant-Man family story in favor of setup for the larger MCU. Jonathan Majors' performance is the standout element that elevates the proceedings.

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Deadline
14 February 2023 · Pete Hammond
60*

The critic calls it a mixed bag that retains the series' lighter comedy while venturing into a subatomic universe filled with colorful creatures and new threats. Jonathan Majors as Kang is singled out for strength and potential as the next major MCU player, alongside praise for the returning cast including Paul Rudd and Michelle Pfeiffer.

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Ordered by the weight we give each publication, then by score. Scores are normalised to 100; * means inferred from an unrated review. Summaries are ours, not quotations; follow the links for the reviews themselves. How we rate