Ant-Man and the Wasp (2018)

A cunningly swift and delightful comedy of scale that's faster, funnier, and more confident than the original. The director invests every moment with personality through one-liners, effects, and combat that make visual sense.

The critic calls it a hilarious, delightful and lovable Marvel entertainment with strong comedy from Paul Rudd and Evangeline Lilly as the more combat-oriented Wasp.

The film's self-deprecating tone and Paul Rudd's low-key humour give it a winning quirkiness and balance between silly and serious. Standout comic moments include the truth-serum monologue and mind-meld scenes in a bright, breezy and engaging spectacle.

The critic calls it probably the most amusing Marvel film since Kevin Feige's reign began, an enjoyably goofy low-stakes respite. He singles out the size-changing gags and comic riffs for praise.

The critic finds it pleasingly small-scale and personal compared to other MCU films, with clean storytelling, fun chases, and Lilly earning equal billing through strong action sequences.

The critic hails it as a frothy, self-lacerating screwball comedy that luxuriates in its preposterousness and serves as a welcome palate cleanser among Marvel blockbusters.

The critic praises Peyton Reed for keeping the size-shifting gags and family-oriented charm on a relatable human scale, with Paul Rudd's everyman energy and inventive comedy bits standing out.

The critic praises the sequel for staying true to its small-scale, character-driven roots and ebullient tone amid MCU crossovers. He highlights the dynamic fight scenes using size-shifting and the optimistic vision of heroism.

The film is a fun but comparatively minor and light-hitting MCU entry that lacks the scale and ambition of recent Marvel films like Infinity War. It delivers brisk family-focused caper entertainment with strong action sequences featuring the Wasp.

This is a charming, self-parodic high-summer romp that shrinks the MCU's scope to family matters and laughs rather than cosmic stakes. It succeeds as slick, diverting entertainment thanks to the leads' chemistry and inventive silliness.

A bright, cheery tonic from the Marvel superhero factory with deliberately low stakes and enormous charm. The zippy action scenes and trippy visual bursts are highlights, along with the complex Ghost character whose struggle stays with you.

The sequel is winningly modest and breezy with a refreshing lack of pretension, delivering heart and humour through its likeable cast rather than awe. It benefits from sharper rapport among the leads and strong supporting turns like Michael Peña's.

The sequel keeps the story and spectacle small with jocular modesty, treating the convoluted plot as pro forma annoyance. Paul Rudd's sceptical, confused yet committed performance provides the purest movie-star charisma.

An engaging goof that resists bludgeoning with bigness and settles for good vibes and jokes. The director handles the material with a light touch, embracing the absurdity and making action sequences seamless with the playfulness.

It delivers the kind of slick, entertaining MCU fare viewers have come to expect. The review highlights its reliable mix of action, humour and character moments in a lighter post-Infinity War palate cleanser.

Peyton Reed excels at comedy thanks to the strong ensemble, especially Paul Rudd and Michael Peña, but the film is hardly gripping with low stakes and too much technobabble. It is fun in the moment but forgettable overall, feeling like filler.

The sequel stays closely tethered to the Marvel series with methodical plot steps that feel like mandatory routines rather than freestyle inventions. It draws its premise from other MCU entries and replaces the first film's loopiness with a dull and dutiful plot.

The sequel strains to be fun but lacks the first film's helter-skelter irreverence, with too many flat jokes and low-stakes villains. It feels like all in pursuit of an MCU masterplan rather than a memorable standalone adventure.

Ant-Man and the Wasp is the funniest and slickest Marvel movie yet, excelling as a sci-fi action comedy with inventive shrinking gags and strong ensemble dynamics. It balances light emotional threads with absurd humor without the tonal issues of the first film.

The critic finds it a delightful, charming small-scale Marvel adventure that improves on the original, with strong emphasis on family themes and humor, though plotting can be disorderly.

The critic views the film as the MCU at its zippiest and silliest, a breezy and fun sequel that serves as light relief after heavier entries. They single out the visually trippy sub-atomic sequences and the cast's game handling of the wacky antics and familial moments for praise.

The film is a lightweight, low-stakes caper that embraces its own goofiness without taking itself seriously. It succeeds as a fun, charming MCU entry focused on family bonds and inventive shrinking antics rather than world-ending threats.

The critic praises it as a fun, funny, low-key palate cleanser with light tone and humor, better than the first, but notes lack of Michelle Pfeiffer and a forgettable antagonist.

The critic views it as a blandly innocuous and generic sequel that follows Marvel's assembly-line formula competently but lacks flair or strong laughs. Paul Rudd's affability and Michael Peña's comic relief provide the main highlights.