All seventeen reviews are favourable, and most of them say the same thing in the same order: the film is funny in the way This Is Spinal Tap is funny, and then, unexpectedly, it is moving. The praise clusters on the two men at its centre, Lips and Reiner, and on the friendship that has kept them playing small rooms for decades while holding down day jobs. Critics note again and again that Sacha Gervasi does not patronise his subjects, so the mishaps of the European tour play as affection rather than ridicule.
The spread is narrow, running from good to warmly enthusiastic, and the reservations are slight. A few critics are less sure of the tone. The New York Times wonders whether the film is a straight chronicle or a deadpan mockery of the band, and The Independent finds it as heartbreaking as it is comic, a study of grown men clinging to childhood ambitions. Nobody, though, suggests missing it.
