Critics’ reviews

As Good as It Gets (1997)

11 reviews from 11 publications. We need six from publications we count before we show a critics’ score; there are 5 so far.

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Positive
5
Mixed
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Negative
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Empire
1 January 2000 · Angie Errigo
80*

Nicholson delivers a top performance as the misanthropic Melvin whose OCD and tirades are central to this politically incorrect comedy. The story follows his gradual, self-interested redemption aided by caring for a dog and interactions with Hunt and Kinnear, resulting in a well-paced and amusing redemption arc.

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Radio Times
★★★★ · Adrian Turner
80

The critic finds the film lazily directed and overly long but praises Helen Hunt's revelatory performance as the waitress, which outshines Jack Nicholson's grouchy lead and earned her an Oscar alongside his.

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The AV Club
4 April 2002 · Stephen Thompson
80*

The critic highlights the strong script and affecting key performances that allow the film to mix mean-spirited comedy with heart-tugging drama without dragging or ringing false. Brooks is praised for evoking sympathy for the lead character and for the thoughtful examination of relationships.

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RogerEbert.com
22 December 1997 · Roger Ebert
75*

The film creates memorable characters but settles for a conventional romantic arc that feels like a compromise. Strong dialogue and performances stand out despite the predictable happy ending.

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The Hollywood Reporter
10 December 1997 · Duane Byrge

The critic finds the acidic love story warms the heart despite its testy elements and calls it mature adult entertainment at its best. Strong praise goes to the lead performances by Jack Nicholson and Helen Hunt.

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The Independent
18 September 1998 · HH

The film is a bittersweet comedy about an obsessive-compulsive novelist and a waitress forming an unlikely romance. Nicholson's performance is the main draw allowing the anti-social behaviour to work, though the film is enjoyable but falls short of its title's promise.

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The New York Times
23 December 1997 · Janet Maslin

Brooks backs his high-strung characters into happiness with quirky appeal and right-on zingers. The film succeeds through barbed wit and enjoyment of its characters' stubborn tics.

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The Times
12 March 1998 · Geoff Brown

The critic finds the film a predictable comedy of redemption that relies too heavily on Jack Nicholson's familiar tics and spoon-feeds its audience with sentiment rather than genuine emotion. While acknowledging its commercial success and Oscar nominations, the review suggests it lacks real depth despite strong performances from Helen Hunt and Greg Kinnear.

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Variety
10 December 1997 · Todd McCarthy

Sitcom roots show in this sporadically funny but tonally inconsistent romantic comedy. Nicholson's one-liners and crowd-pleasing elements work, but the messy shifts make characters tiresome.

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Collider
25 December 2022 · A- · William Fischer
90

The critic highlights Jack Nicholson's Oscar-winning performance as the standout element that makes the film work despite its implausibilities. They note the strong chemistry between leads and the old-fashioned Hollywood charm delivered by director James L. Brooks.

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Eye for Film
19 January 2001 · Angus Wolfe Murray

The critic finds the film overly long and sitcom-like but praises the star performances that make an unlikeable protagonist endearing. Nicholson excels in a showy role, Hunt brings genuine feeling, and Kinnear avoids clichés.

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Ordered by the weight we give each publication, then by score. Scores are normalised to 100; * means inferred from an unrated review. Summaries are ours, not quotations; follow the links for the reviews themselves. How we rate