Bait (2019)

The critic calls Bait a triumph that illuminates social rifts through a Cornish fishing community's tensions with gentrifying outsiders. Jenkin's distinctive 16mm black-and-white technique and post-synced sound create an immersive, tactile atmosphere that blends comedy, humanity and timely themes into a timeless work of art.

The critic notes the film's nostalgic yet contemporary take on Cornish communities under threat, praising the ravishing cinema and the unusual meeting of form and social context. It mentions the atmospheric black-and-white images and the sense of rediscovered tragedy.

Jenkin’s breakthrough is a richly textured, rough-hewn gem in which form and content combine perfectly, an authentic portrait of tensions between locals and tourists in a Cornish fishing village. The post-synched sound and hand-processed 16mm visuals create a dreamlike, disorienting effect that underscores themes of misunderstanding and displacement.

The critic praises the film's lo-fi monochrome 16mm aesthetic and experimental style as one of the most original works at Berlin. It singles out the director's use of montage, retro pastiche, and folk-horror elements to explore class tensions in a Cornish fishing village.

This Cornish-set drama unfolds in scratchy monochrome with jumpy shots, delivering solid storytelling alongside captivating silvery images from hand-cracked 16mm film and DIY development. The result is a beguiling, otherworldly atmosphere perfectly suited to its theme of displacement.

The review calls it a brilliantly original seaside parable and a quietly thrilling piece of filmmaking with a brooding atmosphere. It singles out the human performance from Edward Rowe and the deeper currents of gentrification and class friction.

The critic finds the film's archaic 16mm black-and-white style an engaging, hand-crafted experiment that heightens its story of a Cornish fishing village facing gentrification and the clash between tradition and modernity. She singles out the nuanced, non-simplistic observations of community tensions and the striking, simple imagery for praise.

The critic praises the film's unique, hand-crafted style and its exploration of social tensions in a Cornish fishing village through a grubbily powerful study of fear and loathing. It highlights the original filmmaking that blends various genres into something distinctive.

The critic praises the film's unique 16mm visual style and original storytelling about class conflict in a Cornish fishing village, highlighting its mesmerizing and unsettling aesthetic.

The critic lauds the film's astonishing cinematic qualities, blending nostalgia with modern elements through its 16mm black-and-white cinematography and authentic portrayal of Cornish life and class tensions.

The critic praises Jenkin's innovative hand-shot and edited 16mm black-and-white melodrama for capturing class tensions and gentrification in a Cornish fishing village through striking sound design and Eisenstein-like juxtapositions. They single out the battered, decayed aesthetic and fractured editing as a triumph of old-school technique applied to timely social issues, calling it the UK's first Brexit movie.