The critics split almost evenly, and the divide runs partly along the calendar: the 1995 notices are cool, the later reappraisals warmer. The praise clusters around pace and look. Several find it faster and funnier than Burton’s films, and the neon comic-book production design is admired even by critics who dislike the result. Jim Carrey’s Riddler is the performance most often singled out, with Val Kilmer’s Bruce Wayne judged charming or at least acceptable.
The reservations concern what all that colour is for. Many find the film loud and overloaded, with a perfunctory plot, overacting villains and a Batman who is never properly defined. The spread is wide. Den of Geek calls it the point where the rot set in for the series and objects to the addition of Robin, while Collider and Polygon argue it is underrated, Polygon adding that it is closer to the comics than Burton’s films.
