Critics’ reviews

Beautiful Thing (1996)

7 reviews from 7 publications. We need six from publications we count before we show a critics’ score; there are 5 so far.

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5 of 6
Positive
3
Mixed
2
Negative
0

With only 5 reviews in so far, most critics respond warmly to Beautiful Thing’s working-class teenage romance, praising the raw-edged performances, humour and lively supporting characters. The young leads earn praise, with Linda Henry’s single mother also singled out. Reservations concern depth and cinematic shape rather than the film’s warmth. Slant Magazine finds the adolescent emotions honest and the supporting characters complex. RogerEbert.com sees the central pair as underdeveloped and finds more interest in those around them. Variety enjoys the comedy and fresh performances but finds it lacking in cinematic shape. The spread is favourable to mixed, with no outright rejection.

Slant Magazine
27 April 2003 · Eric Henderson
80*

The critic calls the film one of the most honest and moving gay youth dramas, praising its realistic take on adolescent agony giving way to romance and its complex supporting characters.

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The New York Times
9 October 1996 · Stephen Holden
75*

The film is a well-acted Cinderella story about two shy gay teenagers falling in love in a working-class London housing project, buoyed by strong performances from the young leads.

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Variety
4 March 1996 · festival review · Derek Elley
70*

This rough-and-ready working-class comedy with a feel-good gay theme features fresh performances from unknowns and an infectiously funny tone, though it lacks cinematic shape.

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Radio Times
★★★ · Alan Jones
60

The review describes it as an urban fairy tale about two teenage neighbours discovering they are gay. It praises the raw-edged performances of the leads and especially highlights Linda Henry's shining turn as the indomitable single mother.

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RogerEbert.com
15 November 1996 · Roger Ebert
60*

The film is a coming-out fantasy with limited depth for the two leads, but it shines through its quirky and unpredictable peripheral characters like the boys' mothers and neighbors.

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Film Comment
25 April 2018 · Michael Koresky

The critic praises the film's tender, rough-edged coming-out story and its unusually positive, non-miserabilist take on working-class queer youth in 1990s London. They single out the memorable use of Mamas & the Papas songs and the film's sense of place and hopeful ending as standout elements.

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Time Out
17 November 2015 · TCh

The critic calls it a real winner and an urban fairytale set in Thamesmead. They single out the funny romantic screenplay and Linda Henry's formidable performance as the standout elements that make it a likely gay crossover hit.

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Ordered by the weight we give each publication, then by score. Scores are normalised to 100; * means inferred from an unrated review. Summaries are ours, not quotations; follow the links for the reviews themselves. How we rate